DOI: 10.36871/hon.202001015
Authors
I. V. Abdrashitova
Saransk Art College named after F. V. Sychkov, Saransk, Republic of Mordovia, Russian Federation
I. A. Peremislov
Graduate School of Business and Management, Argosy University, Phoenix, Arizona, USA
Abstract
The aim of the article is to highlight a new aspect of Kunstdasein, namely the unleashing of the spiritual and creative dimension of a man, his connection with the world in terms of reading or writing poetry. The poetic intention makes it possible for a man to be fulfilled. Moreover, sensual, psychological, life and other issues associated with the poetic word, lead a person to their metaphysical understanding. The relevance of the article lies in comprehension of the fact that revealing oneself to the world through the discovery of one's uniqueness is a timeless task of human existence. The designation of conditions for the recognition of one's individuality is most important in the era of globalization. Poetry shows the polyphony and the interpretative ambiguity by reducing and improving the text, by softening and avoiding direct statements, thus poetry places a person in the conditions of an active interpreter and co-author. The form and the content offered by a poet show the direction to a certain goal: to the sensual, intuitive comprehension of a person filled with creativity, which is the fixation of Kunstdasein. The person in this case — the viewer (reader) and author (artist, poet) — is the initiator of its spiritual essence. The article gives examples of author's lyrical poems illustrating sensual, philosophical and religious aspects of human existence.
Keywords
poetry, painting, Kunstdasein, mythology, being, language
