THE SPREAD OF EUROPEAN OIL PAINTING IN CHINA IN THE XXTH CENTURY

DOI: 10.36871/hon.202201014

Authors

Zhang Yong
Russian State Specialized Academy of Arts, Moscow, Russian Federation

Abstract

With the outbreak of the Opium War in the mid-XIXth century, advanced foreign science and technology made the Chinese nationalists see the gap between them and the developed countries, so they gradually began to lose their sense of national pride and realized the importance of learning and adopting Western technology, Western culture, Western thought and Western education, and step by step they started to study the West comprehensively. In this context, European oil painting was brought to China. The first part of the article analyzes the heated debates that arose in Chinese cultural and artistic circles during the XXth century, when European art began to be widely introduced into China. In the second part, the spread of European oil painting in China and the development of Chinese oil painting in the XXth century are divided into three main stages according to the development characteristics of different eras. It also discusses the main ways of introducing and disseminating new painting techniques, teaching methods and the extent of influence at each stage. After more than XNUMX years, European oil painting was accepted by China and became an important part of Chinese culture.

Keywords

China-Western integration, Chinese oil painting, the "May Fourth" New Culture Movement, Socialist realism, Kang Youwei, Chen Duxiu, Cai Yuanpei, Lin Fengmian