DOI: 10.36871/hon.202202018
Authors
O. K. Gorbonos
Novosibirsk State University of Architecture, Design and Arts named after A. D. Kryachkov, Novosibirsk, Russian Federation
Abstract
The article is devoted to the description of the features of architectural and ethnographic symbols
represented in the works of landscape artists of the Baikal region. These symbols refer
to monuments of wooden architecture and art, such as the Angarsk Village Open-Air Architectural
and Ethnographic Museum and, its part Bratsk Ostrog, located in the city of Bratsk,
Irkutsk Region, which are symbols of this area. The analysis of the paintings depicting the
monuments of the Angarsk Village or the Bratsk Ostrog is carried out using a structural and
typological approach.
The Angarsk Village wooden complex belongs to the monuments of Russian wooden architecture,
the history of certain buildings of which dates back to the XVIIth century. It is located
in a picturesque place on the shore of the Angara River bay, which arouses great interest
among people of art (artists, poets, writers) and not only, including specialists (historians,
ethnographers, cultural scientists). In connection with this context, the concept of an "architectural
and ethnographic symbol" is introduced.
This study is based on the paintings of landscape artists of the Baikal region: Mamilov G.
A., Bushkov V., Livantsov V. D., Politkovsky E. A., which are in the Bratsk City United Museum.
The study results in the description of the features of the image of the Angarsk Village
and the Bratsk Ostrog as symbols of the city of Bratsk in the paintings of landscape artists of
the Baikal region.
Keywords
symbol, architectural and ethnographic museum, Angarsk Village, Bratsk Ostrog, landscape artists, structural and typological approach, art history analysis
