UDC 78.071.1
DOI: 10.36871/hon.202303025
Authors
Konstantin A. Grigorev,
Moscow State Institute of Culture, Khimki, Moscow region, 141406, Russian Federation
Abstract
The article deals with the Concertino for Trumpet, Piano and String Orchestra and the Concerto for Trumpet and Orchestra by André Jolivet. Their importance in the development of the original repertoire for this instrument in the XXth century is noted. The author describes the main trends in the development of the trumpet repertoire in the first half of the XXth century in the context of new tendencies in European musical culture. Using a comparative analysis of historical research and the repertoire of that time, the author notes the gradual overcoming of the most acute repertoire deficit, caused by the composers' desire to master new means of musical expression. Based on the results of a holistic musical-theoretical analysis of the Concertino for Trumpet, Piano and String Orchestra, as well as the Concerto for Trumpet and Orchestra by André Jolivet, the author consistently proves their decisive importance both in terms of enriching the repertoire stylistically and expanding the expressive range of the trumpet, and in terms of changing psycho-emotional possibilities of concert performance on this instrument. Solo concert performance on trumpet as a means of communication between the musician and the audience becomes more varied in its emotional content, including through feelings and experiences that were previously taboo in academic performance.
Keywords
André Jolivet, Concerto for Trumpet and Orchestra, original concert repertoire, genre-stylistic evolution of European musical culture, expressive means of trumpet
