UDC 792
DOI: 10.36871/hon.202402040
Authors
Lyudmia V. Danilova,
Institute of Contemporary Art, Mosсow, 121309, Russian Federation
Abstract
The article discusses modern technologies of scriptwriting and directing while working on a spectacular project. The choice of the topic is conditioned by the importance of rethinking the already existing base of modern scriptwriting and directing technologies as ways to achieve the goals of entertainment projects. The modern “era of turns” (especially in the context of aesthetic and visual changes) requires from the director innovative methods and approaches to the problems of staging spectacular events. And in particular, to the technology of creating such specific content as a director’s script. The XXIst century became a historical paradigm for the formation and development of such specific definitions as “visual culture” and “media revolution”, which are now understood as the basic principles of the formation of the director’s “scenario culture”. Its level determines the extent to which both artistic and technological aspects will be implemented in the director’s work. The article describes the main stages of the director-screenwriter’s work on the project: formation of a scenario application, development of a scenario plan, creation of a technical script or editing plan, creation of a literary director’s script of the project.
Keywords
“era of turns”, “visual culture”, “scenario culture”, modern scriptwriting and directing technologies
