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ISSN 2410-6348 (print)
ISSN 2658-5251 (online)


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Buryakova L. A. Features of Music Teacher Training in French Universities: Intervenant Musician Bao Liwan. On the Relationship of N. Medtner’s Pedagogical Work with His Composing Activities Trifonova A. A. Organization of Tempo-Rhythm in Chamber Ensemble Music Imkhanitsky M. I., Sharabarin M. I. Features of Forming and Developing the Repertoire for a Mixed Ensemble of Russian Folk Instruments Kostina A. V. Network Subject as a Participant in the Educational Process Volkova I. G. The Potential of Computer Graphics in the Development of Students’ Artistic Abilities Evdokimova N. K. The Process of Science Integration in the Evolution of Russian Musicology of the XXth Century: to the History of the Issue Plotnikova O. M. Semantics of the Game Code of Culture and Its Actualization in the Opera “Don Juan” by W. A. Mozart Sergeev E. N. The German Fach System — a Modern Classification of Voices Artamonova E. A. Vladimir Rebikov and His Music in Great Britain (based on English Publications) Zhang Kailin. Forever the Same, Forever New Sergei Slonimsky Khakhalkina A. N. “Triptych” by Pyotr Fomenko: Basic Principles and Examples of Dramatization Miroshnichenko S. V. What the Archive Has Told about. Unknown about the Famous Musician: I. G. Agafonnikov — Student of the Moscow Conservatory Zhang Yong. The Spread of European Oil Painting in China in the XXth Century Lyashova S. A. “Partisan Requiem” by Henning Sommerro: Methods and Results of Interpreting Literary Texts in the Context of the Work’s Dramaturgy Wang Dan. A Novel in Verse “Eugene Onegin” by A. S. Pushkin: the Way to the Opera Stage Koshkareva N. V. Choral Cycle “Madrigal” by A. Ushkarev as a Polyphonic Miniature Theater Phenomenon Wang Huanyu. The Specificity of Chamber Vocal Genres in Chinese Culture Hao Jiatao. Yuri Вashmet: Facets of Creative Individuality Zhivitsa A. R. Modern Trends of Ethnic Music Kozlova T. V., Didenko N. S. The Role of Synesthesia in the Visual Activities of the Deaf Zhao Huaichao. Behind the Mask of Irony and Bravado He Hid His Tragic Face Krasnikova T. N., Stepanova M. A. Dedicated to the Anniversary
Kartseva E. A. Specificity of Professional Competences of Artists Working in Public Art Bataeva L. A., Akhmetshina A. K. Holistic Perception and Its Role in Professional Development of Future Teachers of Fine Arts Merkulov A. M. Issues of Improving a University Course in Piano Teaching Methodology Bao Liwan. Aram Tatulyan — Representative of A. B. Goldenweiser’s School in China Nu Lei. Features of Guo Shuzhen’s Pedagogical Style Samoilova N. K. At the Origins of the European Piano Quartet Genre Kudashova V. A. Violin Sound Image and New Compositional Writing Techniques of the second half of the XXth century Tolstova A. A. Conceptual Modelling in Environmental Design: Content and Management Model Deng Shuyu. Personalized Learning as a Trend in International Education Sukhanova T. B. The Stage Fate of L. van Beethoven’s Violin and Chamber Instrumental Heritage in Russia in the XIXth century Ivanov A. I. From the Legacy of N. A. Rimsky-Korsakov: Concerto for Trombone and Brass Band Yu Yalong. Formation of the Cello School in Russia: Western European Traditions and National Origins Xu Kaihua. Ways of Development of Choral Art in China Efanova M. V. E. V. Kolobov’s Interpretative Concept: Aesthetic Principles Tang Jing. Interpretation of Chinese Painting in the Xieyi Style Turlyun L. N. Computer Graphics as a Form of Computer Visual Art Shyntyapina Ye. S. Art Imagery of the Facade Decor of the Sanatorium “Energetik” in Yalta Gorbonos O. K. Features of the Depiction of Architectural and Ethnographic Symbols in the Works of Baikal Region Artists Romashchuk I. M. In Search of a Hero: Approaching the Opera “Chapayev” by A. N. Kholminov Doroschuk E. S., Bayraktar М. H., Guseinova А. A. Ethnodocumentary Cinema of Turkic Peoples as a Form of Ethnocultural Representation Lisovoi V. I., Alpatova A. S. On the Specificity of Fixing Educational Material in Musical-Theoretical Disciplines by Blind Students Zheurova V. K. On the 135th Anniversary of Zoya Lodiy’s Birth: Art Through Overcoming Tsvetkova P. Yu. I. F. Stravinsky and S. P. Diaghilev: to the History of Cooperation
Saigushkina O. P. Awareness of Creative Tasks as a Condition for the Professional Development of a Future Teacher-Musician Huang Shuang. Features of the Formation of Future Music Teachers Professional Competence in Chinese Universities Lin Yang. Manifestations of the Main Functions of Fine Art in Children’s Artwork Lukina G. U. On the Methodology of V. V. Medushevsky: towards Fundamental Pedagogy. Galkin O. А. Questions of Counterpoint from the Perspective of Energy Concept of Ernst Kurth Tatarkin D. Yu. J. S. Bach’s Cello Suites for Guitar, Arranged by Kojiro Kobune: Comparative Analysis Belyakova I. G., Mileshko A. L. Communicative and Intercultural Aspects of Dance in the Space of Information Culture Petrashen’ E. P. Modeling the Content and Conceptual Apparatus for the Subject Area “Environmental Design” as an Object of Study in the Educational Process Bogdanov V. P. Artist and Politics: Revolution and Civil War in the Works of I. A. Vladimirov Avetyan N. Yu. Materials to the Biography of the Artist and Photographer Hippolyte Robillard Chibikova I. Yu. Particularities of the Formation of Museum Collections of Old Russian and Church Art in the late XIXth – early XXth century in Samara Vdovina E. A. Radio Theater in the 1920s: the First Steps on the Invisible Stage Yu Yalong. Lin Yingyong — Member of Shanghai Women’s Quartet. Years of Professional Formation Limitovskaya A. V. About the Influence of the Timbre of the Singing Voice on the Perception of the Content of a Vocal Work (on the example of the performances of S. V. Rakhmaninov’s romance “It’s Good Here”) Podguzova O. A. From the Vocal Heritage of S. Yakovenko: Mono-Opera “The Accompanist” by F. Yanov-Yanovsky Dolinskaya E. B. The Second Birth of the Opera “Asya” by M. M. Ippolitov-Ivanov Anuchin A. M. The influence of Gregorian chorale on the Compositional Language of Marilyn Shrude in the Duo “Lachrymose” Pererva E. I., Safonova E. V. Compositional Principles of the Opera “Lord of the Flies” by E. Podgaits Kholodova S. J. About Some Artistic Expressive Means of Multimedia Installation on the Example of the “Nothing” Project by the Artist Tsang Kin Wah Lebedeva M. A. Timbre and Coloristic Features of the Concerto-Symphony by M. D. Smirnov Koblakhov R. A., Borisova E. N. Non-Sighted Button Accordion Players: Getting Prepared for a Concert Performance Tsvetkova E. O. The Great Universalist of the Turn of the Century (to the 150th Anniversary of A. N. Scriabin’s Birth)
Vyalukhina V. I., Gorodilova M. V., Ermakov A. A., Korobova A. G., Meshkova A. S. The Historical and Stylistic Approach to Teaching Musical-Theoretical Disciplines (from the experience of the Music Theory Department at the Ural State Conservatory) Guryev L. Ye. Teaching Trumpet Embouchure to Beginners: a Health Promotion and Prevention Approach Wang Zhaoyin. Marco Frank’s Compositional and Pedagogical Heritage on Viola Playing Jin Xiao. Methods for Developing Communication Skills by Means of Musical Theatre Moskva Yu. V. Musical Notation of the Liturgical Recitative (on the example of the Latin manuscript Epistolary from the Russian State Library) Tatarkin D. Yu. To the Question of the Original Idea of the Cello Suites no. 5 and no. 6 by J. S. Bach Nosoreva E. V. Piano Barcarolles by Gabriel Fauré: Interpretation of the Genre Yu Wenhang. Timbre Solutions in Chamber Music by Zuo Zhen-Guan in the 1980s (Sonata for cello solo and Triptych for three flutes) Parukava K. V. The Specifics of the Artistic Method in the Animalistic Genre of Fine Arts Popko O. N. The Graphic Portraits by Jan Ksawery Kaniewski from the Collection of the Princes of Wittgenstein Gorbonos O. K. Bratsk HPS as a Symbol of the Soviet Era in the Paintings of Landscape Artists Otstavnova A. O. Features of Artistic Work on the “Elegiac Trio” no. XNUMX by S. V. Rachmaninov Al-Mamory Yasir Khudhair obid, Kreidun Yu. A. The Problem of Violence, Criminal Dystopia and the Dialectics of (Dis)Order in Contemporary Films Belaya T. V., Maltseva O. I. The Use of Computer Technologies in Decorative and Applied Arts Golubeva O. S. Traditions of V. V. Lebedev’s School in Illustrations by Saint Petersburg Artists of the late XXth – XXIst centuries Milvit L. V. Imaginary Interview with L. A. Desyatnikov Kostina A. V. Traditional Culture and Reproduction of Its Attributive Features in Folklore Gainanova A. A., Yudichev S. V. Vocals as a Form of Productive Activity in Russian Speech Therapy Koshkareva N. V. The Russian Theme in the Polyphonic Space of R. Shchedrin’s a’cappella Choral Works (on the 90th anniversary of the composer’s birth)
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Ilinskaya N. I. Creativity Development as the Main Function of Higher Education Institution Varlamova T. P. Concertmaster’s Multifunctional Activities in the Domra Class Chen Xize. On the Conductor Training System in China (methodological observations) Yakoupov A. N. Music and Communication Processes in Society: Management Theory Kozyakova M. I. Virtual Space as a New Type of Artificial Environment Stepanova M. A. “The Starry Wind of Cassiopeia” by Victor Ulyanich: Experience in Analysing Computer and Audiovisual Compositions Beriglazova Ye. V. Artistic Images of S. Sirotin’s Poem “The Death of Ivan the Terrible”: Satirical Tragic Aspect Merzlov A. N. Sergey Rachmaninoff’s Vocal Cycle “Six Poems” for Voice and Piano, Op. 38: Features of Musical Content and Form Sapozhnikova V. S. Emergence of Fashion as Social and Cultural Phenomenon Peremislov I. A., Peremislova L. G. (USA). Japanese Aesthetics in American Silver Masterpieces Lebedev D. L. Aubrey Beardsley and Arthur Rackham: Subtleties of Impact Wang Dan. To the History of the Production of Tchaikovsky’s Opera “Eugene Onegin” in China Ivanov A. I. Christopher Bork and His Trombone Course Merkulov А. М. Louis Pabst, Brother of Pavel Augustovich Pabst Izergina A. R. In the Mirror of a Masterpiece: “Five Reflections on the Theme of the 24th Caprice of Paganini” by Kuzma Bodrov Lazarev P. S. Multimedia Technologies in Modern Performance: “A Woman from the Past” in The Saratov Drama Theatre Padyan Yu. Yu. Performance as a Contemporary Art Phenomenon Turlyun L. N., Frantseva N. V. Textile Ornament. Evolution from Block Printing to Computer Technologies Boitunova S. I., Maksimova S. V., Shlykova O. V. Book Culture and Art in Yakutia Chen Xize. Meetings with the Lifetime Classic Composer Du Mingxin Volkov D. V. Traditions of Gusli Playing in Village Life Sobkin V. S., Lykova T. A., Sobkina A. V. Relationships with Parents as a Psychological Resource in Obtaining Higher Education in the Arts for Students with Disabilities Balatskaya A. L. P. I. Tchaikovsky and J. E. Conus. From the History of Correspondence
Ilinskaya N. I. Innovative Technologies in Education. Teacher as the Main Subject of Educational Process in the Age of Digital Transformation Berezhnoy V. Yu. Modern Russian Music for a Bayan Duet: (last third of the XXth – beginning of the XXIst century) Yakoupov A. N. Music and Communication Processes in Society: Management Theory Plotnikova O. M. Heuristic Potential of the “Art World” Metaconcept in Music Communication Kostina A. V. Popular Culture and Mass Culture: to the Problem of Definition Alekseeva M. Yu., Mikhailov A. A., Samsonova I. V., Rakova M. S. Typological Outlines of Transitional Consciousness in Modern Culture Sidorova M. A. Sacred Theme of M. I. Glinka’s Opera “A Life for the Tsar” and Its Ideological and Artistic Functions Koshkareva N. V. “Epigraph by Count Tolstoy to His Novel “Anna Karenina” by R. Shchedrin: Paradigm of Polyphonic Thinking Kulakova O. Yu. Artists Serving Botanists: Conflict and Search for Mutual Understanding in the XVIth – XVIIth Centuries Peremislov I. A., Peremislov L. G. Japanese Aesthetics in American Silver Masterpieces Supotnitskaya E. S., Sharma E. Yu. In the Shadow of Chaliapin: Ivan Yershov Wang Kaidi. Cultural Contacts between Russia and China in the Field of Music and Drama Theater (50s of the XXth century) Miroshnichenko S. V. I. G. Agafonnikov — Portrait of a Conductor and Teacher Yu Yalong. Development of Cello School in China. Creative and Pedagogical Activities of Wang Liansan and Situ Zhiwen Xia Tsihan. Interpretation of Musical Genre in the Works of R. Ignatiev and K. Breitburg Varlamova A. V. The Sound Palette of Nikolay Berestov’s Piano Work Chen Zekang. Jia Daqun Concerto “Fusion II”: Interpretation of Chinese Percussion Instruments Miroshnikov V. V., Miroshnikova V. M. On the Problems of Visual Image Formation in Russian Territorial Branding Ursegova N. A. Russian Folklore in Mass Musical Education of Children in Pre-Revolutionary Russia (60s – 80s of the XIXth century) Zhang Yue. Russian Folk Song “Over the Silver River” and Its Fate in China Sobkin V. S., Lykova T. A., Sobkina A. V. Life Attitudes of Students with Disabilities and Students with Preserved Health Dolinskaya E. B. Fabulous Musicians: S. Prokofiev and N. Medtner
Boubnova M. V. Creating Works of Visual Art: Features, Problems and Concepts of Artistic Activity Khairulina A. V. On the Methods of O. N. Loshakov in Teaching Easel Painting. From His Experience at the Vladivostok Art School in 1960–1962 Bondarenko N. G. Didactic Potential of Mobile Learning in Higher Education Melnikova E. V. New Forms of Interaction Between Music and “Word“ in Modern Vocal Creation. To Be Studied in the Course “Analysis of Musical Works / Musical Form“ Chen Qiaoyu. On the Art of Vocal Teaching by Professor Jin Tielin Yakoupov A. N. Music and Communication Processes in Society: Management Theory Sergeeva T. S., Doroschuk E. S. Specificity of Russian Art Blogging as a New Form of Media Creation in Digital Age Chernova E. V. About the Children’s Segment of Musical Mass Media Culture in the XXIst Century Vinokurova N. A., Tabachnikova O. M. Economics, Culture, Education: Gender Aspect Ke Meili. Formation of the Traditional Understanding of the Piano Miniature Genre (historical aspect) Surayeva N. G. From the History of the Formation of the Imperial Academy of Painting in China Gudymenko Yu. Yu. Tradition and Innovation in the Works of O. A. Kiprensky: Portrait of A. K. Schwalbe Shyntyapina Ye. S. Fairy-Tale and Mythological Motifs in the Decoration of Architectural Complexes by N. P. Krasnov in Yalta District Teterina N. I. B. V. Asafyev’s Unpublished Notes in the Margins of M. P. Musorgsky’s Orchestral Score for “Boris Godunov“ Tsvetkova P. Yu. B. Brecht’s “Turandot“ at the Taganka Theatre: History of Creation and Musical Disign by A. Schnittke Zhao Huaichao. Du Fu Poetry and Its Interpretation in the Genre Diversity of the First Notebook of “Sichuan Elegies” by N. Sidelnikov Alekseeva I. V. Margarita Zelenaia: “The Agony in the Garden” Based on El Greco. Musical Interpretation of the Gospel Story Zhang Kailin. Polarity of S. Slonimsky’s Stylistic Guidelines in the Instrumental Concerts “Primaverile” and “Tragicomedy” Turintseva А. В. “Musical Reading”: a Pedagogical Approach of M. F. Gnesin Wang Dan. Guo Shuzhen as One of the First Chinese Performers of Tatiana in the Opera “Eugene Onegin” by P. I. Tchaikovsky Ursegova N. A. Publication of the “Siberian Living Antiquity” (1923–1929). To the Problem of Studying the History of Russian Folkloristics in Siberia Varlamova T. P. The Importance of Compensatory Skills of Visually Impaired for the Creative Work of a Musician Romashchuk I. M. N. Ya. Myaskovsky: the Attraction of Talent
Kolbysheva S. I. Conceptual Foundations of Artistic and Aesthetic Education (Philosophical Level of Comprehension) Sitnikov Ph. S. Forming Creative Experience of Plastic Expressiveness of Student Actors in Interaction with a Puppet Yakoupov A. N. Music and Communication Processes in Society: Management Theory Alekseyeva I. V. The Concept of Intertextual Interactions by M. G. Aranovsky in Contemporary Musicology of the Urals Galyatina A. V. The Form of the Suite in Ballet and Its Metrorhythmic Organization Krilov I. A. Site-Specific Art-Practice as an Alternative Format of Theatre Art Tolstova A. A. Functioning Mechanism of Artistic Engineering in Environmental Design: Inter-Сomponent Relations of Contradictions Samsonova I. V., Mikhailov A. A., Alekseeva M. Yu. The Cult of the Mother of God in Russia and the Transformation of Orthodox Iconography Zhang Kailin. Sergey Prokofiev and Sergey Slonimsky: a Double Portrait in the Interior of Theater, Cinema and Radio Luo Yuanyuan. Ma Sicong and His Role in the Development of Chinese Musical Culture Chen Xinheng. The History of the Creation of the Ballet “The White-Haired Girl” Gruzdev A. A. Iconological Method in Semiotic Analysis of Artworks Finkelshtein Yu. A. “Tous les matins du monde”: Poetry of Fading Sound Dukov E. V. Performing Arts in Russia in the Context of the Pandemic Lukina G. U. On Recent Publications of the State Institute for Art Studies Krasnikova T. N. Witold Szalonek. Little Symphony B.A.C.H. in the Context of Symphonic Works of Polish Composers of the second half of the XXth century Zhao Huaichao. The Second Notebook of the Vocal and Choral Cycle “Sichuan Elegies” by Nikolai Sidelnikov: Dramaturgy and Stylistic Features Rong Yan. Implementation of National Heritage in Piano Music by Modern Chinese Composers Pashkova T. V. Dramatic Expressiveness of the Language of Folk Character Dance in Classical Heritage Ballets Nagornaya L. N. Aesthetics of Glitch Art: Origins and Meanings. Makhan V. V. On the Existence of the Old Russian Domra Sobkin V. S., Emelin G. D., Nikolaeva Z. G., Savchenko N. L., Yakolvleva M. A. On the Portrait of a Disabled Person in the Media Sanko A. K. Evgeny Golubev and National Musical Cultures
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Borisenko T. S., Ignatova I. B. Artistic and Creative Activity of the Head of an Amateur Choreographic Team: from Concept to Implementation Maroziene R. Sociocultural Aspect of Teaching to Play Lithuanian National Instruments Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view) Funtova D. A. Artificial Intelligence in the Context of Culturological Dimension Plyakhotko A. S., Akulich E. M. Library of a New Type as a Cultural Universal Urvantseva O. A. Dialectics of the Interaction of Style and Content (on the example of music by composers of the XXth century) Plotnikova O. M. Libretto of the Opera the Magic Flute by W. A. Mozart in the Genre of Fairy-Tale Zheng Yan. Artistic Images of the Ballet the River Flows by Zuo Zhenguan Kirillina O. M. Literary Bogemia in Russia and in the USSR. Revolution and Bohemia Artamonova E. A. From Russia to the UK and Back Across the English Channel: Musical Discoveries from WWII and the Thaw (recent archival findings and publications) Grutsynova A. P. French Ballet at the End of the XIXth Century (Javotte, 1896) Irkhen I. I., Li Rui. Choreographic Borrowings as a Form of Promoting the Russian Ballet Tradition in China Gasnikova O. V. Transformation of an Opera Performance into a Ballet (by Russian and West European choreographers). Markov A. V. Italian Primitive and Critical Revival in Russian Modernism Abdrashitova I. V., Peremyslov I. A. Poetic Statement as the Fixation of Human Existence Khoroshavina V. B. Nikolai Sidelnikov’s Spiritual Works as a Reflection of the Philosophy of Culture Wei Pengfei. Chinese Traditional Art — Quyi Fomchenko E. V. Performance in Folk Culture Sergeeva M. I. Сarvers of Gingerbread Boards: Traditions of the Past and the Present Yegorova M. A., Rabina T. M. Methods of Musical and Rhythmic Education of Preschool Children with Visual Disabilities Based on Pedagogical System of Karl Orff Saito Momo. Nikolai Medtner ― Professor of Moscow Conservatory
Kolbysheva S. I. Aesthetic and Art Education as a Sociocultural Phenomenon Tarasova M. V., Kistova A. V., Pimenova N. N. Standarts of Artistic Culture in Higher Education: Practice of Developing Visual Thinking Gabriyelyan T. O. Conceptual Model of Higher Educational Program on Communicative Design Chang Xiaogeng. Development of Environmental Design in Russia and in China at the Present Stage Varlamova T. P. Repertoire as the Prevailing Factor of the Contestant’s Psycho-Emotional State Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view) Turlyun L. N., Stepanskaya A. G. Features of Functioning and Perception of Traditional Art in Virtual and Digital Environment Samoilova N. K. Constant and Variable in the Style of a Russian Piano Quartet Tereshchenko V. P. The Influence of S. I. Taneyev’s Stylistic Principles on Russian Choral Music of the XXth Century Garipova N. F. To the Question of Sacred Meanings in N. Sabitov’s Piano Cycle “Seven Tunes” Romashchuk I. M. “The Front”: Music for a Film as an Archival Document Aleksandrova V. A. The Project of Staging “Khovanshchina” by M. P. Mussorgsky in B. V. Asafyev’s Orchestration Mochalsky N. A. Artist Dmitry Mochalsky and His Works Kirillina O. M. Literary Bohemia in the USSR. State and Underground Zhang Kewu. Legacy of Xiao Youmei: Paths to European Music Chistyakov R. V. “Brother Bunny” Opera for Children by Fattah: Genre and Composition Features Podguzova O. A. S. Yakovenko and His Skills in the Context of the Interpretation of Y. Boutsko’s Mono-Opera “Diary of a Madman” Stepanova M. A. Victor Ulyanich and His Ladozvonn Integrated Music-Theoretical System (portrait of the composer) Kartseva С. A. Public Art in Educational and Research Environment Sitnikova S. A. Ancient Sacral Meanings of Coniferous Tree (Spruce, Pine) in Tver Traditional Culture Yeginbayeva T. Zh. Modern Performance on the Kazakh Kobyz Alpatova A. S. Oligotonics and Chasmatonics in Traditional Songs of North American Indians (on the 145th anniversary of the birth of Natalie Curtis). Kozlova T. V. Psychological Aspect of Synesthesia and Features of Synesthetic Perception of Deaf People
Dylkov A. G. On the Use of Some Cloud Services in Education Grinko O. G. Time Challenge: Computer and Internet Technologies in Vocal Ensemble Training Strizhak A. V., Kazakova N. U. The Method of Bionic Shaping in Teaching Bachelors of Industrial Design (experiment results). Suvorova A. G. Practical Course Content of Russian Grammar for Chinese Students Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia Belyakova E. V. A New Aspect of Cultural Diffusion Gorbunova M. B. Developing the Emotional Intelligence of Students in the Process of Musical Activity Xing Xin. Tan Dun’s Violin Concerto “The Love” as a Reflection of Stylistic Diversity of Modern Composition Gorshkova A. M. Piano Pieces of A. S. Arensky on the Example of the Cycle Op. 36 Akshentseva V. M. Dialogue and Its Manifestations in Instrumental Concerts of J. Haydn Lebedev A. E., Voynova D. V. T. Leschetizky’s Piano Traditions and Their Refraction in the Activity of Saratov Conservatory Teachers Platonova A. A. A. B. Goldenweiser’s Creative Principles Krasnogorova O. A. The Sound of the “Golden age”: Problems in Performing English Virginal Art Tsvetkova E. O. S. Prokofiev’s “Fleeting Moments”: Choreographic Interpretation of the Piano Masterpiece Trifonova А. A. “Symphonic Etudes” by R. Schumann: History of Creation and the Problem of Interpreting “Posthumous Variations” Vinokurova N. A., Tabachnikova O. M. The Role of Literature and Humanitarian Education in Socio-Economic Behaviour of Russian Youth Kalitzky V. V. On the Social Status of Pianists-Concertm Dolinskaya E. B. International Scientific and Practical Youth Forum Wang Kaidi. Tang Jianping’s Opera “The Dawns Here Are Quiet”: History of Creation and Specifics of Musical Dramaturgy Xia Tsihan. Rock Opera Genre and Its Outstanding Examples in the Musical Culture of the Last Third of the XXth Century Podguzova O. A. Sergey Yakovenko: He Knew How to Embrace the Immensity Ursegova N. A. Wedding Music and Poetry Folklore of the Russian Population of the Southern Urals Murzaliyeva S. S. Kazakhstan’s Modern Mass Culture in the Context of Musical Revival Trends Varlamova T. P. The Role of Fingering in Teaching Visually Impaired Students in the Domra Class
Yefremova N. I. Theoretical Foundations of Modern Music and Rhythmic Education Kochekov V. F. Elementary Music in The Soviet Union: Prerequisites for Implementation in the Training and Educational Space Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia Chvanova T. P. Sound Recording, Audio Communications and Piano Performance: Evolution of Views Vorozheykina V. А. Principle of Classification of Urban Wayfinding Objects Murataev K. K., Krykbayeva S. M. Issues of Ethnocultural Traditions Development in Modern Artistic Practice Chen Zekang. Symphony Concerto for Percussion and Orchestra “Sacred Fire 2008” by Tang Jianping: the Program and Its Instrumental Implementation Plotnikova N. Yu. Four-Part Choral Concertos by Nikolay Diletsky: on the Way to Publication Moskva Yu. V. Fragment of a Latin Manuscript from the Andrey Rublev Museum in Moscow Merkulov А. М. Pre-Moscow Period in the Activities of P. A. Pabst (1854–1878) Chen Xize. Store Permanently (from the Archive of The Moscow State Conservatory) Zachinyaeva M. P. After Reading “Hamlet”: Three Views on a Masterpiece by W. Shakespeare Yu Yang. “The Queen of Spades” by A. S. Pushkin — P. I. Tchaikovsky: to the Question of Cultural and Pseudo-Cultural Reinterpretation Maytesian T. D. Some Style Features of Violin Works by N. K. Medtner Terentyev S. S. Inside the Dante Worlds: Symbolic Space of Boris Tishchenko’s “Dante-Symphonies”. On the 755th Anniversary of the Birth of Dante Alighieri (1265–1321) Krasnikova T. N. “Symphony of Sorrowful Songs” by H. Gorecki as a Cultural Memory Phenomenon Limitovskaya A. V., Alexeeva I. V. Sound Image of a Cuckoo in Instrumental Music by Composers of the XVIIth – XIXth Centuries Panova E. V. The Ballet “The Little Humpbacked Horse” by Cesare Pugni: Borrowings and Citations of Music Material Ilinskaya N. I. Art Mediation in Russia and France: General and Differences Dukov E. V. Night and Its Industries Davlatzoda B. D. Tajik Chordophone Rubob: Genesis, Ergonomics Sobkin V. S., Sobkina A. V., Lykova T. A. Inclusion and Attitude Towards Education of Art Students Romashchuk I. M. Beethoven in the Mirror of Centuries
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