Arts education and science. Journal issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Vinokurova N. A., Tabachnikova O. M. The Importance of Artistic Education in Overcoming the Dangerous Trends of Our Time (based on surveys of Russian students)Bataeva L. A. Methodological Foundations of Teaching Academic Drawing in the context of the Development of Art Education Galustyan O. V., Zaitseva L. S-Kh. Features of the Structure of Design Education in Relation to the Development of Artistic Design in Modern China (experience and prospects)Niu Lei. General and Specific in Chinese Singing Schools Sednin N. N. The Concept of Softness and Rigidity of Forms and Its Importance in Artistic Creation Alekseeva I. V. Timbre as a System-Forming Component of the Instrumental Text (theory and practice)Liu Xianpeng. Aesthetic Features of Modern Chinese Popular Music in the Context of Sociocultural Changes Nikodimov I. Yu., Slivin T. S. The Relevance of the Legal Aspects of Self-Citation in Science and Art Kalitzky V. V. Italian Concertmaster School: the Process of Formation, National Specificities Pavlova N. V. The Ballet Gayane by A. I. Khachaturian: from the History of the 1952 Production Lopatin P. V. Ambient Around Us: the Historical Aspect Saygushkina O. P. M. Glinka’s Piano Compositions Interpreted by Modern Pianists Merkulov A. M. “In Such Conditions, Even Genius Inspiration Is Powerless to Bring Fame to an Artist” (on the performing art of V. I. Buyukli)Smirnova M. V., Han Qing. The Phenomenon of Van Cliburn on the Pianistic Horizon of the Era Sukala U. U. The Art of Playing the Guitar: Retrospect and Modernity Berezhnoy V. Yu. Musical Texture in the Repertoire of the First Amateur Bayan Duos (1915–1926)Pham Van Xay. Hat Trong Quan Singing as a Unique Form of Vietnamese Musical Culture Bi Xinge. Preservation and Development of Traditional Arts and Crafts of National Minorities in the Cultural Space of Modern China Tychinina N. G., Bragina Yu. V., Prozerina N. P. ICL Experience of the Sverdlovsk Region Innovative Cultural Center in Creating an Inclusive Environment Yuldashbaeva A. Sh. Inclusive Creative Laboratory Best Practices at the “Ataysal” Cultural Center of the Republic of Bashkortostan Smirnova M. V., Eroma M. V. Glinka’s Piano Music in the Light of Modern Aesthetic Perception (on the 220th anniversary of the composer’s birth)Lelyanova M. O., Sharma E. Yu. Not Just Carmen — on the 140th Anniversary of the Birth of L. A. Andreeva-Delmas

Gabrielyan T. O. Semiotic-Interactive Methodology of Co-Creation in Modern Graphic and Communicative Design Pakhomova N. V., Mezhova M. V., Nasonov A. A. Integration of Levels of Professional Education in the field of Performing Arts (on the example of theatre arts training programs)Varlamova T. P. The Problem of Instrumental Musicians’ Interest in Independent Activity Kozlova T. V. Philosophical Foundations of Bioart Sednin N. N. Theory of Positive Image Visualisation in Art Sokolvyak N. L. On the Specifics of Communication in Quartet Performance Boubnova M. V. Forming the Structure of a Floral Still Life Image: Color in Composition Zhou Yu. Experimental Art and Mixed Media Artworks as a Topical Issue of Contemporary Chinese Art Criticism Rybakova P. V. On the Issue of Territory Branding (the experience of the Siberian State Institute of Arts named after Dmitry Hvorostovsky)Zhong Shengyi. Ancient Vocal Genres as Precursors of Modern Chinese Chamber Vocal Lyrics Timofeeva M. V. Impresario Sol Hurok and a Tour of the Gorky Moscow Art Theatre Limitovskaya А. V. Tempo in the Structure of the Musical Work’s Content (on S. V. Rachmaninoff’s romance The Destiny)Mikhaylyuk D. P. The Aesthetics of Neorealism in World Cinema: Continuity and Transformation Romashchuk I. M. Antonio Spadavecchia Opera House Merkulov A. M. Vsevolod Buyukli: Style Trends in Russian Piano Performance at the turn of the XIXth – XXth centuries Selyutina A. A. Prelude and Fugue in C Major from the Cycle 24 Preludes and Fugues for Guitar by N. Koshkin: Features of the Interpretation of Polyphonic Techniques Fokina S. D. The Mirror Suite by Andrei Volkonsky: the Symbolism of the Musical Language Uvaruv V. D., Bi Xinge. The Daur Folk Art of Hanêka Paper Cutting: Preservation and Inheritance of Tradition Feng Kai. The Folklore Component of Zhu Jianer’s Compositional Style Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Inclusive Creative Laboratories: Status and Prospects Dolinskaya E. B. Shostakovich-Victory Gala — 80!Tsvetkova P. Yu. On the 340th Anniversary of the Birth of George Frideric Handel (regarding the sources of the composer’s opera libretti)

Cao Yifan. Artistic Education of Preschool Children in Russia and China: a Comparative Study Komarnitskaya O. V. The Musical Worlds of Valentina Nikolaevna Kholopova: to the 90th anniversary of her birth Zabneva E. I. The Apocryphal Book of Enoch: a Historical and Critical View of the Priest Alexander Smirnov Trubochkin D. V. Towards the Typology of Ancient Greek Theatre Masks Kostina A. V. Cultural Studies and Its Place in the System of Post-Non-Classical Knowledge Ekaterininskaya A. A., Seliverstova N. A., Fatova S. A. Staffing Imbalance in the Cultural Sphere: Trends and Guidelines for the Professional Training of Theatre and Cinema Actors Kholodova S. Yu. Multimedia Installation: Compositional Strategies and Expressive Features (on the example of Western art installations of the 1990s)Bogdanov V. P. The Dacha in Russian Culture and the Culture of Dachas (XIX – early XXth centuries)Hou Shujie. Traditional Сhinese Art in Postage Stamps Design (music, chess, calligraphy and painting)Samsonova E. M., Kovalchuk A. M. Commercial Art in Tobacco Advertising in China in the first half of the XXth century Krasnikova T. N., Magnitskaya E. А. Andrey Golovin’s Fourth Symfony in terms of Genre Interpretation Baeva A. A. P. I. Tchaikovsky’s Opera The Queen of Spades: Stage Experiences Smirnova M. V., Guo Hongzhi. Nikolai Okhotnikov as an Interpreter of Russian Folk Songs and Old Romances Podyachev A. B. Performers’ Interpretation in the context of Phonography Lukina G. U., Ningwan Tang. On Zhao Jiping’s Creative Path: Searches and Experiments Zhong Shengyi. The Romance Spring Reflections as a Vivid Example of Chamber Vocal Works by Composer Huang Tzu Vasilchenko E. Yu. Polystylistics as a Method of Creating Foreign Cultural Images in the Chamber Works of Tatyana Smirnova Zaytseva V. V. Sadko by N. A. Rimsky-Korsakov: Notes on the Orchestration Process Tsvetkova E. O. The Gusli in the Works of Contemporary Composers: Entering the Academic Tradition Sednin N. N. Di-Art — Direction in Art That Strengthens Mental Health. History, Theory and Practice. Manifesto Dolinskaya E. B., Sokolova L. P. From the Imperial Russian Musical Society to the Moscow Musical Society (in honour of its 165th anniversary)Merkulov A. M. A. B. Goldenweiser as a Student of P. A. Pabst Romashchuk I. M. A. N. Kholminov: Russian Soviet Composer, Lyricist, Thinker (on the 100th anniversary of his birth)

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Doroschuk E. S. Organising the Art Education of Future Journalists: Basics of Mimetic Training Yakoupov A. N. Academic Music of the XXth – first quarter of the XXIst century: on the Way to Mastering (In English)Sinelnikova O. V., Maksimova D. D. National Traditions and Techniques of the XXth century Composition in Alberto Ginastera’s Sonata for Guitar Boubnova M. V. Complementary and Related Colour Combinations as the Basis of Colour Harmony Nepriyatel Yu. A. Features of Animalistic Pattern Formation in Russian Fine Art until the XVIIIth century Trofimova A. K., Kazakova N. Yu. Prerequisites and Trends in the Development of Virtual Museums in the XXIst century Vasenina E. V. Information and Research Center “Dance Union” as an Example of Digitalisation of Russian Contemporary Dance Nikodimov I. Yu., Slivin T. S. Modern Problems of Legal Protection of Copyright in Science and Art Sharma E. Yu. To the History of Chamber Vocal Performance in Russia: Olga Butomo-Nazvanova Bao Liwan. Alexander Tcherepnin: Russian-Chinese Composer-Pianist-Teacher Wen Yaping. From the History of the First Chinese Cellist’ Training at the Moscow Conservatory (based on archival materials)Gonchikova M. Ts., Dondokova R. B. Formation of Human Resources in the Buryat-Mongolian ASSR in the field of Musical Culture and Education in the 1920s – 1930s Wang Jing. Chu Wanghua’s Piano Concerto “My Homeland”: Specific Refraction of the Immanent Properties of the Genre Kovalev A. B. Yu. Sherling. Oratorio “Exodus Triada”: Figurative Content and Composition Uchitel N. K. After “Reading Bitten”: on the Peculiarities of Style and Dramaturgy of Boris Klyuzner’s Second Symphony Dolinskaya E. B. Premiere Half a Century Later (S. M. Slonimsky’s Opera “The Master and Margarita” on the Stage of the Samara Opera and Ballet Theatre named after D. D. Shostakovich)Shcherbakova A. E. To Children about Art: Domestic Illustrated Editions of the 1800 – 1820s Saigushkina O. P., Zhang Fengwei. Artistic Portrait of Dai Yuqiang Shaygozova Zh. N. Archetypal Plots and Images of Artistic Embroidery of Kazakhstan in the XXIst century Kazakov E. O., Grishina O. G., Samutina O. S. Socio-Cultural Integration of Hearing Impaired People Gainanova A. A., Yudichev S. V. Vocal-Voice Therapy through the Prism of Vocal Pedagogy Zhumabekova D. Zh., Kapeu-Kokhanova M. B. Xth International Violin Competition “Astana-Violin” in Memory of David Oistrakh

Saigushkina O. P. Konstantin Nikolayevich Igumnov: the Germination of Traditions Kovaleva (Abzalova) S. R. The Problem of Emotionality in the Education of Performers-Vocalists: in Search of Balance and Harmony Trubochkin D. V. On the Earliest Features of the Genre of Comedy Nevolina O. S. Scenography: the Evolution of Definition Danilova L. V. Modern Technologies of Scriptwriting and Directing in a Spectacular Project Peremislov I. A., Cherkassky I. I. Art Investor of the New Generation: System of Investment Evaluation of the Creativity of Artist (SIECA)Sukhorukov V. N. Сommunication Models in the Management of a Military Band Chernova E. V. Creation of a Conservatory in the Regional Industrial City in the Perspective of Objective and Subjective Factors Wu Chao. Li Delun’s Role in the Preservation of Chinese Orchestras Tian Jiafeng. Chinese Conductor Cao Peng: Years of Study at the Moscow Conservatory (based on archival materials)Smirnova M. V., Gu Yunchen. D. A. Rabinovich’s Research “Thoughts on Listianism. Interpretation, Repertoire, Style” in the Context of Modernity Nguyen Bao Yen. Features of the Soprano Voice and Its Interpretation: Singing Tradition and Possible Figurative Embodiments Chistyakov R. V. Refraction of Musical Traditions of Ancient Cultures in the Work of André Jolivet (on the example of “The Song of Linos” for flute and piano)Beriglazova E. V. The Concept “Rebel” in V. N. Salmanov’s Oratorio “The Twelve”Finkelstein Yu. A. Trends of Modernism in the Works for Classical Guitar by Russian Composers (60s of the XXth century)Nasibulina A. V. The Musical Style of Composer Yuri Kasparov Wang Jing. “Youth Concerto” for Piano and Orchestra by Liu Shikun and a Group of Composers: Implementation of Genre Traditions Yang Nan. Wang Lisan’s Piano Variations: Principles of the Embodiment of Folk Song Material Shaygozova Z. N. The Image of Time and Space in Turkic Traditional Decorative Art Zheng Yan. The Сhinese Erhu Instrument in Russia Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Socio-Cultural Rehabilitation of People with Disabilities and Limited Health Capabilities (experience of inclusive creative laboratories)Gainanova A. A., Yudichev S. V. Key Points of Vocal-Voice Therapy Effect on Dysarthria Nikodimov I. Yu. Using Artificial Intelligence in Inclusive Arts Education Tsvetkova E. O. M. P. Mussorgsky and the Ballet Theatre (on the 185th anniversary of the composer’s birth)

Sanko A. K. Russian Composer’s Pedagogy and the Contribution of E. K. Golubev Krasnikova T. N. Elective Subjects in the System of University Music Education Kovalenko K. V. Specialty “Musical Sound Engineering” in the Context of Standardisation of Higher Education in Russia Wang Yanzhe. On the Specifics of the Concept of “Chinese Piano School” Alekseeva I. V. Instrumental Music from the turn of the XXth – XXIst century in a Dialogue with the Past Romashchuk I. M. Dialogue as a Scientific Idea: Conversations between D. S. Dmitrienko and M. I. Imkhanitsky Barabanova D. A. Three Quarter-Tone Pieces by Charles Ives: Innovative Approach to the Piano Perception Vorobeva L. V. “The Cliff” Ballad by C. A. Cui: on the Problem of Genre Interpretation Akhmetova S. P., Mikhailova E. V., Andreeva O. P. Architectonics of School Space as a Tool for the Formation of Students’ Artistic Culture Ustinskaya K. I. The Main Stages in the Formation of European Vocal Art: from Antiquity to Modern Times Baeva A. A. The Golden Cockerel by N. A. Rimsky-Korsakov — The Nightingale by I. F. Stravinsky: Parallels and Intersections Ladyzhnikov N. A. Specific Features of the Russian Military March of the second half of the XIXth century Lukyanenko V. V. The Golden Calf by T. Khrennikov: Style and Genre Features Dvuzhilnaya I. F. Remembering the Holocaust: Cultural Contact in the Music of Mikhail Bronner Makarychev D. V. Actor of Synthetic Type in the Musical Theatre of the XXIst century Gusenkova A. A. The Influence of Ritual on the Formation of Russian Folk Art Ibragimov A. I. Syncretism of the Steppe Worldview and the Aesthetics of Information Technologies in the Works of Ilya Kazakov Dao Dang Phuong, Le Vinh Hung. Xoan (Hat Xoan) Folk Singing in Phu Tho Province and Its Role in the Musical Education of Primary School Children Ptitsyna E. V. Studying the Folklore Traditions of the Native Land in the context of Introducing Students to the Origins of National Culture Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Formation of Entrepreneurial Initiative in the Field of Creative Industries among People with Disabilities Romashchuk I. M. N. A. Rimsky-Korsakov: the Attraction of Talent (on the 180th anniversary of the composer’s birth)Potemkina N. A. Elena Fabianovna Gnesina — Creative Heritage

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Kalitzky V. V. The Development of the Pianist’s Concertmaster Art in China Li Meixin. Evolution of the Flute Repertoire in the Works of German Composers in the first half of the XVIIIth century Bataeva L. A., Akhmetshina A. K. Forms for Realising the Pedagogical Potential of Folk Arts and Crafts in the System of Art Education Medushevsky V. V. Wave-Particle Duality in Pedagogy Alekseeva I. V. The Sound Ideal in Instrumental Music and Its Evolution: Research Problems Krygin N. N. Epic Theatre: Theory and Practice in the Special Theatrical Education Breitburg K. A. The Historical Prototype of the American Concept Musical Zhang Menwen. Contribution of the Russian Pedagogical Singing School to the Formation of Guo Shuzhen, the Star of the Chinese Opera Olympus Xu Kaihua. The Contribution of Shen Xingong and Li Shutong to the Formation of Choral Art in China: from ″School Songs″ to ″Spring Walk″Romashchuk I. M. Dance in the Operas of M. M. Ippolitov-Ivanov: the Text and Its Interpretation Garipova N. F. The Piano Work of R. Khasanov in the Context of the Stylistic Trends in Musical Art of the second half of the XXth century Kirillina O. M. L. Tolstoy and A. Platonov: Merciless Justice and Faith in Man Kartseva E. A. The Impact of Post-Digital Aesthetics on Works of Art in Urban Space Fomchenko E. V. Features of Meaning Making in the Russian Folk Dance Ursegova N. A. Russian Siberian Folklore Studies During the Revolution and the Civil War Varlamova T. P. Development of Auditory Perception of Musicians-Instrumentalists with Visual Impairments Zhumabekova D. Zh., Zhexembay A. E. Makpal Bekmagambetova — from the Constellation of Outstanding Violinists of Kazakhstan

Dolinskaya E. B. Innovative Ways of Russian Musicological Pedagogy in the XXth – early XXIst centuries Buryakova L. A. The Profession of Music Therapist in France: Training and Areas of Application Gavdush A. I. Synodal School: Forming a Model of Professional Education in the Russian Choral Culture of the XIXth – early XXth centuries Zhou Wei, Guo Jun. Research of Pedagogical Strategies and Practices of Creating Blended “Golden Lessons” in the Background of Constructing a “Double First-Class”Sinelnikova O. V. From Operas and Concerts to “Proverbs” and “Fragments”: Rodion Shchedrin’s Genre Experiments in the XXIst century Putecheva O. A. Myth as the Basis of Musical Meaning-Modelling in the Works of A. Bakshi Finkelstein E. Yu., Sushkova-Irina Ya. I., Andryukhin S. A. Preparing a Musician for a Concert Performance: the Specifics of Performing on the Guitar Balatskaya A. L. Sergey Ivanovich Taneyev and Jules Conus. Teacher and Student Wang Xintong. Viola Miniature by Rebecca Clarke Varlamova T. P. Formation of Musical Thinking in the Interpretation Activities of the Performer Trifonova A. A. Prokofiev’s Vocal Fairy Tale “The Ugly Duckling”: at the Interface between Romance and Opera Ke Meili. The Phenomenon of Tradition in Russian Avant-Garde Music of the 1960s–1980s Xu Kaihua. Outstanding Representatives of the Chinese School of Choral Performance Bogomolova Yu. Yu. Transformation of the Image of Mary Magdalene in “The Feast at Simon the Pharisee” in Italian Painting Andreeva O. P., Mikhailova E. V., Akhmetova S. P. Art Nouveau Architecture in the Modern Urban Image of Chuvashia Sitnikova S. A. Plants in Traditional Magical Practices of the Tver Folk Calendar (Winter Rites)Gainanova A. A., Yudichev S. V. Vocal Elements as a Form of Productive Activity for Correction of Speech Prosodics Speech Therapy Golovataya G. F. Modern Methods and Approaches in the Process of Teaching Singing to the Disabled and Persons with Disabilities Dolinskaya E. B. Sergei Rachmaninoff and Nikolai Medtner: Life and Creative Parallels Romashchuk I. M. S. V. Rachmaninoff and M. L. Presman: to the History of Friendship between the Two Musicians

Vinokurova N. A., Tabachnikova O. M. Interdisciplinary Approach: the Role of Art in Science and Education Kolbysheva S. I., Pishchik O. G. Artistic and Aesthetic Literacy: on the Development of the Concept Grigorev K. A. The Role of André Jolivet’s Trumpet Compositions in the Formation of Original Concert Repertoire Lensu Ya. Yu. Design and Social Communication Zadneprovskaya G. V. Aesthetics of Conceptualism in the Works of Iraida Yusupova Anuchin A. M. The Application of Motivic Development and the Golden Ratio in Marilyn Shrude’s Composition “Renewing the Myth”Kainova I. A. Victor Ulyanich: Features of the Orchestral Dramaturgy of the Poem about Eternal Love “Peter and Fevronia”Novikova E. S. XVIth century Female Self-Portraiture in Italy and Its Formal Criteria Wang Jing. Piano Concerto in the Works of Chinese Composers: to the History of the Genre Formation Sukhanova T. B. Reflection of the National Character Traits in the Performing Art of Russian Violinists Petrov A. K. “All-Night Vigil” by S. V. Rachmaninoff: Performance Aspects of “Historical Reconstruction”Nguen Bao Yen. Expressive and Performing Features of the Part of Undine from Tchaikovsky’s Opera of the Same Name Wen Yaping. Cello Concerto “La Memoire” by Chen Musheng: Programme and Its Interpretation Konovalova N. A. Particularities of Architecture of Modern Theatre Buildings in the World: Global Requirements and National Priorities Gorbonos O. K. The Image of the Lake Baikal in Landscape Painting by Eastern Siberian Artists Golubeva O. S. Traditions of Book Graphics of the “World of Art” Association in Saint Petersburg Children’s Book of the late XXth – early XXIst centuries Peremyslov L. G., Cherkassky I. I. Artist Julia Dolgorukova. Perfect Expression of Love Lebedeva M. A. Concert-Symphony for Domra and Orchestra of Russian Folk Instruments by A. A. Tsygankov (Artistic Expressive Means and the Role of Timbre)Nikodimov I. Yu. Legal Aspects of Introducing Artificial Intelligence in Inclusive Education Tsvetkova P. Yu. The History of the Creation of J. Verdi’s Opera “Falstaff ” through the Prism of Epistolary Writing (on the 210th anniversary of the composer’s birth)

Garipova N. F. National Vocabulary as an Important Semantic Component of Piano Works by Bashkir Composers Zhang Mengwen. Methodology of the Russian Singing School by Professor E. K. Katulskaya Nikodimov I. Yu. Legal Issues of Implementing Modern Information Systems in the Educational Process (on the example of creative universities)Didenko V. D., Didenko N. S., Kozlova T. V. Art as a Reflection of Fundamental Contradictions in the Sphere of Spirit and Society Bulgakova I. A., Churin A. S. Art Criteria in Artificial Intelligence Alekseeva I. V. The Theme of Memory in Mikhail Kollontay’s Trio “Ten Words of Mussorgsky on the Death of Viktor Hartmann”Urvantseva O. A. The Role of the “Estate Topos” in Rachmaninoff’s Work Galina G. S. Harmonic Language in the Works of Bashkir Composers (on the example of opera)Grutsynova A. P. Saint Petersburg Ballet of the 1840s: Collaboration of F. Taglioni and A.-Ch. Adam Skorbyashchenskaya O. A. The Gerke Dynasty and Its Role in Russian Musical Culture Merkulov A. M. Rachmaninoff in Conversation with Harriette Brower Smirnova M. V., Han Qing. Reflecting on S. M. Khentova’s Book “Lev Oborin”Peremislov I. A. Viewer Impressions of Artistic Expression: Art from the Conscious to the Unconscious and Vice Versa Nasibulina A. V. The Twelve-Tone Technique of Yuri Kasparov. Tradition and Modernity Baeva A. A. Problems of Modern Russian Opera: an Educational Project Dvuzhilnaya I. F. Semantic Codes of Mikhail Bronner’s “Shoah Symphony”Sokolvyak N. L. String Quartet in the Context of Literary and Epistolary Heritage of Russian Composers and Performers Galina G. S. Modern Trends in the Genre Formation of Bashkir Opera Satdarova L. L. Music by R. M. Glière for Drama Theatre Rakhimov R. G. Aerophone Hornai as a Variety of the Bashkir Shawm Group Sergeeva T. S. Functional and Stylistic Specifics of Stage Folklore (from the practice of the state folk ensembles of the Republic of Tatarstan)Ding Zhan. The Origins of the Chinese Tao Vocal Culture Pakhomova E. A. On the Prospects for Interdepartmental Cooperation in the Development of Inclusive Social Theatre Practices Operating on the Basis of Inclusive Creative Laboratories Sanina N. V. Creative Development in an Inclusive Environment: the Experience of Inclusive Creative Laboratories Artamonova E. A. Rudolf Barshai: Symphonic Concert Programmes During the Soviet Period. Archival Findings (to the 100th anniversary of his birth)Sharma E. Yu., Lelyanova M. O. Forgotten Names of Russian Chamber Vocal Art: Vera Dukhovskaya (to the 120th anniversary of her birth)

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Buryakova L. A. Features of Music Teacher Training in French Universities: Intervenant Musician Bao Liwan. On the Relationship of N. Medtner’s Pedagogical Work with His Composing Activities Trifonova A. A. Organization of Tempo-Rhythm in Chamber Ensemble Music Imkhanitsky M. I., Sharabarin M. I. Features of Forming and Developing the Repertoire for a Mixed Ensemble of Russian Folk Instruments Kostina A. V. Network Subject as a Participant in the Educational Process Volkova I. G. The Potential of Computer Graphics in the Development of Students’ Artistic Abilities Evdokimova N. K. The Process of Science Integration in the Evolution of Russian Musicology of the XXth Century: to the History of the Issue Plotnikova O. M. Semantics of the Game Code of Culture and Its Actualization in the Opera “Don Juan” by W. A. Mozart Sergeev E. N. The German Fach System — a Modern Classification of Voices Artamonova E. A. Vladimir Rebikov and His Music in Great Britain (based on English Publications)Zhang Kailin. Forever the Same, Forever New Sergei Slonimsky Khakhalkina A. N. “Triptych” by Pyotr Fomenko: Basic Principles and Examples of Dramatization Miroshnichenko S. V. What the Archive Has Told about. Unknown about the Famous Musician: I. G. Agafonnikov — Student of the Moscow Conservatory Zhang Yong. The Spread of European Oil Painting in China in the XXth Century Lyashova S. A. “Partisan Requiem” by Henning Sommerro: Methods and Results of Interpreting Literary Texts in the Context of the Work’s Dramaturgy Wang Dan. A Novel in Verse “Eugene Onegin” by A. S. Pushkin: the Way to the Opera Stage Koshkareva N. V. Choral Cycle “Madrigal” by A. Ushkarev as a Polyphonic Miniature Theater Phenomenon Wang Huanyu. The Specificity of Chamber Vocal Genres in Chinese Culture Hao Jiatao. Yuri Вashmet: Facets of Creative Individuality Zhivitsa A. R. Modern Trends of Ethnic Music Kozlova T. V., Didenko N. S. The Role of Synesthesia in the Visual Activities of the Deaf Zhao Huaichao. Behind the Mask of Irony and Bravado He Hid His Tragic Face Krasnikova T. N., Stepanova M. A. Dedicated to the Anniversary

Kartseva E. A. Specificity of Professional Competences of Artists Working in Public Art Bataeva L. A., Akhmetshina A. K. Holistic Perception and Its Role in Professional Development of Future Teachers of Fine Arts Merkulov A. M. Issues of Improving a University Course in Piano Teaching Methodology Bao Liwan. Aram Tatulyan — Representative of A. B. Goldenweiser’s School in China Nu Lei. Features of Guo Shuzhen’s Pedagogical Style Samoilova N. K. At the Origins of the European Piano Quartet Genre Kudashova V. A. Violin Sound Image and New Compositional Writing Techniques of the second half of the XXth century Tolstova A. A. Conceptual Modelling in Environmental Design: Content and Management Model Deng Shuyu. Personalized Learning as a Trend in International Education Sukhanova T. B. The Stage Fate of L. van Beethoven’s Violin and Chamber Instrumental Heritage in Russia in the XIXth century Ivanov A. I. From the Legacy of N. A. Rimsky-Korsakov: Concerto for Trombone and Brass Band Yu Yalong. Formation of the Cello School in Russia: Western European Traditions and National Origins Xu Kaihua. Ways of Development of Choral Art in China Efanova M. V. E. V. Kolobov’s Interpretative Concept: Aesthetic Principles Tang Jing. Interpretation of Chinese Painting in the Xieyi Style Turlyun L. N. Computer Graphics as a Form of Computer Visual Art Shyntyapina Ye. S. Art Imagery of the Facade Decor of the Sanatorium “Energetik” in Yalta Gorbonos O. K. Features of the Depiction of Architectural and Ethnographic Symbols in the Works of Baikal Region Artists Romashchuk I. M. In Search of a Hero: Approaching the Opera “Chapayev” by A. N. Kholminov Doroschuk E. S., Bayraktar М. H., Guseinova А. A. Ethnodocumentary Cinema of Turkic Peoples as a Form of Ethnocultural Representation Lisovoi V. I., Alpatova A. S. On the Specificity of Fixing Educational Material in Musical-Theoretical Disciplines by Blind Students Zheurova V. K. On the 135th Anniversary of Zoya Lodiy’s Birth: Art Through Overcoming Tsvetkova P. Yu. I. F. Stravinsky and S. P. Diaghilev: to the History of Cooperation

Saigushkina O. P. Awareness of Creative Tasks as a Condition for the Professional Development of a Future Teacher-Musician Huang Shuang. Features of the Formation of Future Music Teachers Professional Competence in Chinese Universities Lin Yang. Manifestations of the Main Functions of Fine Art in Children’s Artwork Lukina G. U. On the Methodology of V. V. Medushevsky: towards Fundamental Pedagogy.Galkin O. А. Questions of Counterpoint from the Perspective of Energy Concept of Ernst Kurth Tatarkin D. Yu. J. S. Bach’s Cello Suites for Guitar, Arranged by Kojiro Kobune: Comparative Analysis Belyakova I. G., Mileshko A. L. Communicative and Intercultural Aspects of Dance in the Space of Information Culture Petrashen’ E. P. Modeling the Content and Conceptual Apparatus for the Subject Area “Environmental Design” as an Object of Study in the Educational Process Bogdanov V. P. Artist and Politics: Revolution and Civil War in the Works of I. A. Vladimirov Avetyan N. Yu. Materials to the Biography of the Artist and Photographer Hippolyte Robillard Chibikova I. Yu. Particularities of the Formation of Museum Collections of Old Russian and Church Art in the late XIXth – early XXth century in Samara Vdovina E. A. Radio Theater in the 1920s: the First Steps on the Invisible Stage Yu Yalong. Lin Yingyong — Member of Shanghai Women’s Quartet. Years of Professional Formation Limitovskaya A. V. About the Influence of the Timbre of the Singing Voice on the Perception of the Content of a Vocal Work (on the example of the performances of S. V. Rakhmaninov’s romance “It’s Good Here”)Podguzova O. A. From the Vocal Heritage of S. Yakovenko: Mono-Opera “The Accompanist” by F. Yanov-Yanovsky Dolinskaya E. B. The Second Birth of the Opera “Asya” by M. M. Ippolitov-Ivanov Anuchin A. M. The influence of Gregorian chorale on the Compositional Language of Marilyn Shrude in the Duo “Lachrymose”Pererva E. I., Safonova E. V. Compositional Principles of the Opera “Lord of the Flies” by E. Podgaits Kholodova S. J. About Some Artistic Expressive Means of Multimedia Installation on the Example of the “Nothing” Project by the Artist Tsang Kin Wah Lebedeva M. A. Timbre and Coloristic Features of the Concerto-Symphony by M. D. Smirnov Koblakhov R. A., Borisova E. N. Non-Sighted Button Accordion Players: Getting Prepared for a Concert Performance Tsvetkova E. O. The Great Universalist of the Turn of the Century (to the 150th Anniversary of A. N. Scriabin’s Birth)

Vyalukhina V. I., Gorodilova M. V., Ermakov A. A., Korobova A. G., Meshkova A. S. The Historical and Stylistic Approach to Teaching Musical-Theoretical Disciplines (from the experience of the Music Theory Department at the Ural State Conservatory)Guryev L. Ye. Teaching Trumpet Embouchure to Beginners: a Health Promotion and Prevention Approach Wang Zhaoyin. Marco Frank’s Compositional and Pedagogical Heritage on Viola Playing Jin Xiao. Methods for Developing Communication Skills by Means of Musical Theatre Moskva Yu. V. Musical Notation of the Liturgical Recitative (on the example of the Latin manuscript Epistolary from the Russian State Library)Tatarkin D. Yu. To the Question of the Original Idea of the Cello Suites no. 5 and no. 6 by J. S. Bach Nosoreva E. V. Piano Barcarolles by Gabriel Fauré: Interpretation of the Genre Yu Wenhang. Timbre Solutions in Chamber Music by Zuo Zhen-Guan in the 1980s (Sonata for cello solo and Triptych for three flutes)Parukava K. V. The Specifics of the Artistic Method in the Animalistic Genre of Fine Arts Popko O. N. The Graphic Portraits by Jan Ksawery Kaniewski from the Collection of the Princes of Wittgenstein Gorbonos O. K. Bratsk HPS as a Symbol of the Soviet Era in the Paintings of Landscape Artists Otstavnova A. O. Features of Artistic Work on the “Elegiac Trio” no. XNUMX by S. V. Rachmaninov Al-Mamory Yasir Khudhair obid, Kreidun Yu. A. The Problem of Violence, Criminal Dystopia and the Dialectics of (Dis)Order in Contemporary Films Belaya T. V., Maltseva O. I. The Use of Computer Technologies in Decorative and Applied Arts Golubeva O. S. Traditions of V. V. Lebedev’s School in Illustrations by Saint Petersburg Artists of the late XXth – XXIst centuries Milvit L. V. Imaginary Interview with L. A. Desyatnikov Kostina A. V. Traditional Culture and Reproduction of Its Attributive Features in Folklore Gainanova A. A., Yudichev S. V. Vocals as a Form of Productive Activity in Russian Speech Therapy Koshkareva N. V. The Russian Theme in the Polyphonic Space of R. Shchedrin’s a’cappella Choral Works (on the 90th anniversary of the composer’s birth)

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Ilinskaya N. I. Creativity Development as the Main Function of Higher Education Institution Varlamova T. P. Concertmaster’s Multifunctional Activities in the Domra Class Chen Xize. On the Conductor Training System in China (methodological observations)Yakoupov A. N. Music and Communication Processes in Society: Management Theory Kozyakova M. I. Virtual Space as a New Type of Artificial Environment Stepanova M. A. “The Starry Wind of Cassiopeia” by Victor Ulyanich: Experience in Analysing Computer and Audiovisual Compositions Beriglazova Ye. V. Artistic Images of S. Sirotin’s Poem “The Death of Ivan the Terrible”: Satirical Tragic Aspect Merzlov A. N. Sergey Rachmaninoff’s Vocal Cycle “Six Poems” for Voice and Piano, Op. 38: Features of Musical Content and Form Sapozhnikova V. S. Emergence of Fashion as Social and Cultural Phenomenon Peremislov I. A., Peremislova L. G. (USA). Japanese Aesthetics in American Silver Masterpieces Lebedev D. L. Aubrey Beardsley and Arthur Rackham: Subtleties of Impact Wang Dan. To the History of the Production of Tchaikovsky’s Opera “Eugene Onegin” in China Ivanov A. I. Christopher Bork and His Trombone Course Merkulov А. М. Louis Pabst, Brother of Pavel Augustovich Pabst Izergina A. R. In the Mirror of a Masterpiece: “Five Reflections on the Theme of the 24th Caprice of Paganini” by Kuzma Bodrov Lazarev P. S. Multimedia Technologies in Modern Performance: “A Woman from the Past” in The Saratov Drama Theatre Padyan Yu. Yu. Performance as a Contemporary Art Phenomenon Turlyun L. N., Frantseva N. V. Textile Ornament. Evolution from Block Printing to Computer Technologies Boitunova S. I., Maksimova S. V., Shlykova O. V. Book Culture and Art in Yakutia Chen Xize. Meetings with the Lifetime Classic Composer Du Mingxin Volkov D. V. Traditions of Gusli Playing in Village Life Sobkin V. S., Lykova T. A., Sobkina A. V. Relationships with Parents as a Psychological Resource in Obtaining Higher Education in the Arts for Students with Disabilities Balatskaya A. L. P. I. Tchaikovsky and J. E. Conus. From the History of Correspondence

Ilinskaya N. I. Innovative Technologies in Education. Teacher as the Main Subject of Educational Process in the Age of Digital Transformation Berezhnoy V. Yu. Modern Russian Music for a Bayan Duet: (last third of the XXth – beginning of the XXIst century)Yakoupov A. N. Music and Communication Processes in Society: Management Theory Plotnikova O. M. Heuristic Potential of the “Art World” Metaconcept in Music Communication Kostina A. V. Popular Culture and Mass Culture: to the Problem of Definition Alekseeva M. Yu., Mikhailov A. A., Samsonova I. V., Rakova M. S. Typological Outlines of Transitional Consciousness in Modern Culture Sidorova M. A. Sacred Theme of M. I. Glinka’s Opera “A Life for the Tsar” and Its Ideological and Artistic Functions Koshkareva N. V. “Epigraph by Count Tolstoy to His Novel “Anna Karenina” by R. Shchedrin: Paradigm of Polyphonic Thinking Kulakova O. Yu. Artists Serving Botanists: Conflict and Search for Mutual Understanding in the XVIth – XVIIth Centuries Peremislov I. A., Peremislov L. G. Japanese Aesthetics in American Silver Masterpieces Supotnitskaya E. S., Sharma E. Yu. In the Shadow of Chaliapin: Ivan Yershov Wang Kaidi. Cultural Contacts between Russia and China in the Field of Music and Drama Theater (50s of the XXth century)Miroshnichenko S. V. I. G. Agafonnikov — Portrait of a Conductor and Teacher Yu Yalong. Development of Cello School in China. Creative and Pedagogical Activities of Wang Liansan and Situ Zhiwen Xia Tsihan. Interpretation of Musical Genre in the Works of R. Ignatiev and K. Breitburg Varlamova A. V. The Sound Palette of Nikolay Berestov’s Piano Work Chen Zekang. Jia Daqun Concerto “Fusion II”: Interpretation of Chinese Percussion Instruments Miroshnikov V. V., Miroshnikova V. M. On the Problems of Visual Image Formation in Russian Territorial Branding Ursegova N. A. Russian Folklore in Mass Musical Education of Children in Pre-Revolutionary Russia (60s – 80s of the XIXth century)Zhang Yue. Russian Folk Song “Over the Silver River” and Its Fate in China Sobkin V. S., Lykova T. A., Sobkina A. V. Life Attitudes of Students with Disabilities and Students with Preserved Health Dolinskaya E. B. Fabulous Musicians: S. Prokofiev and N. Medtner

Boubnova M. V. Creating Works of Visual Art: Features, Problems and Concepts of Artistic Activity Khairulina A. V. On the Methods of O. N. Loshakov in Teaching Easel Painting. From His Experience at the Vladivostok Art School in 1960–1962 Bondarenko N. G. Didactic Potential of Mobile Learning in Higher Education Melnikova E. V. New Forms of Interaction Between Music and “Word“ in Modern Vocal Creation. To Be Studied in the Course “Analysis of Musical Works / Musical Form“Chen Qiaoyu. On the Art of Vocal Teaching by Professor Jin Tielin Yakoupov A. N. Music and Communication Processes in Society: Management Theory Sergeeva T. S., Doroschuk E. S. Specificity of Russian Art Blogging as a New Form of Media Creation in Digital Age Chernova E. V. About the Children’s Segment of Musical Mass Media Culture in the XXIst Century Vinokurova N. A., Tabachnikova O. M. Economics, Culture, Education: Gender Aspect Ke Meili. Formation of the Traditional Understanding of the Piano Miniature Genre (historical aspect)Surayeva N. G. From the History of the Formation of the Imperial Academy of Painting in China Gudymenko Yu. Yu. Tradition and Innovation in the Works of O. A. Kiprensky: Portrait of A. K. Schwalbe Shyntyapina Ye. S. Fairy-Tale and Mythological Motifs in the Decoration of Architectural Complexes by N. P. Krasnov in Yalta District Teterina N. I. B. V. Asafyev’s Unpublished Notes in the Margins of M. P. Musorgsky’s Orchestral Score for “Boris Godunov“Tsvetkova P. Yu. B. Brecht’s “Turandot“ at the Taganka Theatre: History of Creation and Musical Disign by A. Schnittke Zhao Huaichao. Du Fu Poetry and Its Interpretation in the Genre Diversity of the First Notebook of “Sichuan Elegies” by N. Sidelnikov Alekseeva I. V. Margarita Zelenaia: “The Agony in the Garden” Based on El Greco. Musical Interpretation of the Gospel Story Zhang Kailin. Polarity of S. Slonimsky’s Stylistic Guidelines in the Instrumental Concerts “Primaverile” and “Tragicomedy”Turintseva А. В. “Musical Reading”: a Pedagogical Approach of M. F. Gnesin Wang Dan. Guo Shuzhen as One of the First Chinese Performers of Tatiana in the Opera “Eugene Onegin” by P. I. Tchaikovsky Ursegova N. A. Publication of the “Siberian Living Antiquity” (1923–1929). To the Problem of Studying the History of Russian Folkloristics in Siberia Varlamova T. P. The Importance of Compensatory Skills of Visually Impaired for the Creative Work of a Musician Romashchuk I. M. N. Ya. Myaskovsky: the Attraction of Talent

Kolbysheva S. I. Conceptual Foundations of Artistic and Aesthetic Education (Philosophical Level of Comprehension)Sitnikov Ph. S. Forming Creative Experience of Plastic Expressiveness of Student Actors in Interaction with a Puppet Yakoupov A. N. Music and Communication Processes in Society: Management Theory Alekseyeva I. V. The Concept of Intertextual Interactions by M. G. Aranovsky in Contemporary Musicology of the Urals Galyatina A. V. The Form of the Suite in Ballet and Its Metrorhythmic Organization Krilov I. A. Site-Specific Art-Practice as an Alternative Format of Theatre Art Tolstova A. A. Functioning Mechanism of Artistic Engineering in Environmental Design: Inter-Сomponent Relations of Contradictions Samsonova I. V., Mikhailov A. A., Alekseeva M. Yu. The Cult of the Mother of God in Russia and the Transformation of Orthodox Iconography Zhang Kailin. Sergey Prokofiev and Sergey Slonimsky: a Double Portrait in the Interior of Theater, Cinema and Radio Luo Yuanyuan. Ma Sicong and His Role in the Development of Chinese Musical Culture Chen Xinheng. The History of the Creation of the Ballet “The White-Haired Girl”Gruzdev A. A. Iconological Method in Semiotic Analysis of Artworks Finkelshtein Yu. A. “Tous les matins du monde”: Poetry of Fading Sound Dukov E. V. Performing Arts in Russia in the Context of the Pandemic Lukina G. U. On Recent Publications of the State Institute for Art Studies Krasnikova T. N. Witold Szalonek. Little Symphony B.A.C.H. in the Context of Symphonic Works of Polish Composers of the second half of the XXth century Zhao Huaichao. The Second Notebook of the Vocal and Choral Cycle “Sichuan Elegies” by Nikolai Sidelnikov: Dramaturgy and Stylistic Features Rong Yan. Implementation of National Heritage in Piano Music by Modern Chinese Composers Pashkova T. V. Dramatic Expressiveness of the Language of Folk Character Dance in Classical Heritage Ballets Nagornaya L. N. Aesthetics of Glitch Art: Origins and Meanings.Makhan V. V. On the Existence of the Old Russian Domra Sobkin V. S., Emelin G. D., Nikolaeva Z. G., Savchenko N. L., Yakolvleva M. A. On the Portrait of a Disabled Person in the Media Sanko A. K. Evgeny Golubev and National Musical Cultures

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Borisenko T. S., Ignatova I. B. Artistic and Creative Activity of the Head of an Amateur Choreographic Team: from Concept to Implementation Maroziene R. Sociocultural Aspect of Teaching to Play Lithuanian National Instruments Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)Funtova D. A. Artificial Intelligence in the Context of Culturological Dimension Plyakhotko A. S., Akulich E. M. Library of a New Type as a Cultural Universal Urvantseva O. A. Dialectics of the Interaction of Style and Content (on the example of music by composers of the XXth century)Plotnikova O. M. Libretto of the Opera the Magic Flute by W. A. Mozart in the Genre of Fairy-Tale Zheng Yan. Artistic Images of the Ballet the River Flows by Zuo Zhenguan Kirillina O. M. Literary Bogemia in Russia and in the USSR. Revolution and Bohemia Artamonova E. A. From Russia to the UK and Back Across the English Channel: Musical Discoveries from WWII and the Thaw (recent archival findings and publications)Grutsynova A. P. French Ballet at the End of the XIXth Century (Javotte, 1896)Irkhen I. I., Li Rui. Choreographic Borrowings as a Form of Promoting the Russian Ballet Tradition in China Gasnikova O. V. Transformation of an Opera Performance into a Ballet (by Russian and West European choreographers).Markov A. V. Italian Primitive and Critical Revival in Russian Modernism Abdrashitova I. V., Peremyslov I. A. Poetic Statement as the Fixation of Human Existence Khoroshavina V. B. Nikolai Sidelnikov’s Spiritual Works as a Reflection of the Philosophy of Culture Wei Pengfei. Chinese Traditional Art — Quyi Fomchenko E. V. Performance in Folk Culture Sergeeva M. I. Сarvers of Gingerbread Boards: Traditions of the Past and the Present Yegorova M. A., Rabina T. M. Methods of Musical and Rhythmic Education of Preschool Children with Visual Disabilities Based on Pedagogical System of Karl Orff Saito Momo. Nikolai Medtner ― Professor of Moscow Conservatory

Kolbysheva S. I. Aesthetic and Art Education as a Sociocultural Phenomenon Tarasova M. V., Kistova A. V., Pimenova N. N. Standarts of Artistic Culture in Higher Education: Practice of Developing Visual Thinking Gabriyelyan T. O. Conceptual Model of Higher Educational Program on Communicative Design Chang Xiaogeng. Development of Environmental Design in Russia and in China at the Present Stage Varlamova T. P. Repertoire as the Prevailing Factor of the Contestant’s Psycho-Emotional State Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)Turlyun L. N., Stepanskaya A. G. Features of Functioning and Perception of Traditional Art in Virtual and Digital Environment Samoilova N. K. Constant and Variable in the Style of a Russian Piano Quartet Tereshchenko V. P. The Influence of S. I. Taneyev’s Stylistic Principles on Russian Choral Music of the XXth Century Garipova N. F. To the Question of Sacred Meanings in N. Sabitov’s Piano Cycle “Seven Tunes”Romashchuk I. M. “The Front”: Music for a Film as an Archival Document Aleksandrova V. A. The Project of Staging “Khovanshchina” by M. P. Mussorgsky in B. V. Asafyev’s Orchestration Mochalsky N. A. Artist Dmitry Mochalsky and His Works Kirillina O. M. Literary Bohemia in the USSR. State and Underground Zhang Kewu. Legacy of Xiao Youmei: Paths to European Music Chistyakov R. V. “Brother Bunny” Opera for Children by Fattah: Genre and Composition Features Podguzova O. A. S. Yakovenko and His Skills in the Context of the Interpretation of Y. Boutsko’s Mono-Opera “Diary of a Madman”Stepanova M. A. Victor Ulyanich and His Ladozvonn Integrated Music-Theoretical System (portrait of the composer)Kartseva С. A. Public Art in Educational and Research Environment Sitnikova S. A. Ancient Sacral Meanings of Coniferous Tree (Spruce, Pine) in Tver Traditional Culture Yeginbayeva T. Zh. Modern Performance on the Kazakh Kobyz Alpatova A. S. Oligotonics and Chasmatonics in Traditional Songs of North American Indians (on the 145th anniversary of the birth of Natalie Curtis).Kozlova T. V. Psychological Aspect of Synesthesia and Features of Synesthetic Perception of Deaf People

Dylkov A. G. On the Use of Some Cloud Services in Education Grinko O. G. Time Challenge: Computer and Internet Technologies in Vocal Ensemble Training Strizhak A. V., Kazakova N. U. The Method of Bionic Shaping in Teaching Bachelors of Industrial Design (experiment results).Suvorova A. G. Practical Course Content of Russian Grammar for Chinese Students Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia Belyakova E. V. A New Aspect of Cultural Diffusion Gorbunova M. B. Developing the Emotional Intelligence of Students in the Process of Musical Activity Xing Xin. Tan Dun’s Violin Concerto “The Love” as a Reflection of Stylistic Diversity of Modern Composition Gorshkova A. M. Piano Pieces of A. S. Arensky on the Example of the Cycle Op. 36 Akshentseva V. M. Dialogue and Its Manifestations in Instrumental Concerts of J. Haydn Lebedev A. E., Voynova D. V. T. Leschetizky’s Piano Traditions and Their Refraction in the Activity of Saratov Conservatory Teachers Platonova A. A. A. B. Goldenweiser’s Creative Principles Krasnogorova O. A. The Sound of the “Golden age”: Problems in Performing English Virginal Art Tsvetkova E. O. S. Prokofiev’s “Fleeting Moments”: Choreographic Interpretation of the Piano Masterpiece Trifonova А. A. “Symphonic Etudes” by R. Schumann: History of Creation and the Problem of Interpreting “Posthumous Variations”Vinokurova N. A., Tabachnikova O. M. The Role of Literature and Humanitarian Education in Socio-Economic Behaviour of Russian Youth Kalitzky V. V. On the Social Status of Pianists-Concertm Dolinskaya E. B. International Scientific and Practical Youth Forum Wang Kaidi. Tang Jianping’s Opera “The Dawns Here Are Quiet”: History of Creation and Specifics of Musical Dramaturgy Xia Tsihan. Rock Opera Genre and Its Outstanding Examples in the Musical Culture of the Last Third of the XXth Century Podguzova O. A. Sergey Yakovenko: He Knew How to Embrace the Immensity Ursegova N. A. Wedding Music and Poetry Folklore of the Russian Population of the Southern Urals Murzaliyeva S. S. Kazakhstan’s Modern Mass Culture in the Context of Musical Revival Trends Varlamova T. P. The Role of Fingering in Teaching Visually Impaired Students in the Domra Class

Yefremova N. I. Theoretical Foundations of Modern Music and Rhythmic Education Kochekov V. F. Elementary Music in The Soviet Union: Prerequisites for Implementation in the Training and Educational Space Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia Chvanova T. P. Sound Recording, Audio Communications and Piano Performance: Evolution of Views Vorozheykina V. А. Principle of Classification of Urban Wayfinding Objects Murataev K. K., Krykbayeva S. M. Issues of Ethnocultural Traditions Development in Modern Artistic Practice Chen Zekang. Symphony Concerto for Percussion and Orchestra “Sacred Fire 2008” by Tang Jianping: the Program and Its Instrumental Implementation Plotnikova N. Yu. Four-Part Choral Concertos by Nikolay Diletsky: on the Way to Publication Moskva Yu. V. Fragment of a Latin Manuscript from the Andrey Rublev Museum in Moscow Merkulov А. М. Pre-Moscow Period in the Activities of P. A. Pabst (1854–1878)Chen Xize. Store Permanently (from the Archive of The Moscow State Conservatory)Zachinyaeva M. P. After Reading “Hamlet”: Three Views on a Masterpiece by W. Shakespeare Yu Yang. “The Queen of Spades” by A. S. Pushkin — P. I. Tchaikovsky: to the Question of Cultural and Pseudo-Cultural Reinterpretation Maytesian T. D. Some Style Features of Violin Works by N. K. Medtner Terentyev S. S. Inside the Dante Worlds: Symbolic Space of Boris Tishchenko’s “Dante-Symphonies”. On the 755th Anniversary of the Birth of Dante Alighieri (1265–1321)Krasnikova T. N. “Symphony of Sorrowful Songs” by H. Gorecki as a Cultural Memory Phenomenon Limitovskaya A. V., Alexeeva I. V. Sound Image of a Cuckoo in Instrumental Music by Composers of the XVIIth – XIXth Centuries Panova E. V. The Ballet “The Little Humpbacked Horse” by Cesare Pugni: Borrowings and Citations of Music Material Ilinskaya N. I. Art Mediation in Russia and France: General and Differences Dukov E. V. Night and Its Industries Davlatzoda B. D. Tajik Chordophone Rubob: Genesis, Ergonomics Sobkin V. S., Sobkina A. V., Lykova T. A. Inclusion and Attitude Towards Education of Art Students Romashchuk I. M. Beethoven in the Mirror of Centuries

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