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Art Education and Science. 2020 Issues
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ISSN 2410-6348 (print)
ISSN 2658-5251 (online)
2020
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Borisenko T. S., Ignatova I. B. Artistic and Creative Activity of the Head of an Amateur Choreographic Team: from Concept to Implementation
Maroziene R. Sociocultural Aspect of Teaching to Play Lithuanian National Instruments
Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)
Funtova D. A. Artificial Intelligence in the Context of Culturological Dimension
Plyakhotko A. S., Akulich E. M. Library of a New Type as a Cultural Universal
Urvantseva O. A. Dialectics of the Interaction of Style and Content (on the example of music by composers of the XXth century)
Plotnikova O. M. Libretto of the Opera the Magic Flute by W. A. Mozart in the Genre of Fairy-Tale
Zheng Yan. Artistic Images of the Ballet the River Flows by Zuo Zhenguan
Kirillina O. M. Literary Bogemia in Russia and in the USSR. Revolution and Bohemia
Artamonova E. A. From Russia to the UK and Back Across the English Channel: Musical Discoveries from WWII and the Thaw (recent archival findings and publications)
Grutsynova A. P. French Ballet at the End of the XIXth Century (Javotte, 1896)
Irkhen I. I., Li Rui. Choreographic Borrowings as a Form of Promoting the Russian Ballet Tradition in China
Gasnikova O. V. Transformation of an Opera Performance into a Ballet (by Russian and West European choreographers).
Markov A. V. Italian Primitive and Critical Revival in Russian Modernism
Abdrashitova I. V., Peremyslov I. A. Poetic Statement as the Fixation of Human Existence
Khoroshavina V. B. Nikolai Sidelnikov’s Spiritual Works as a Reflection of the Philosophy of Culture
Wei Pengfei. Chinese Traditional Art — Quyi
Fomchenko E. V. Performance in Folk Culture
Sergeeva M. I. Сarvers of Gingerbread Boards: Traditions of the Past and the Present
Yegorova M. A., Rabina T. M. Methods of Musical and Rhythmic Education of Preschool Children with Visual Disabilities Based on Pedagogical System of Karl Orff
Saito Momo. Nikolai Medtner ― Professor of Moscow Conservatory
Kolbysheva S. I. Aesthetic and Art Education as a Sociocultural Phenomenon
Tarasova M. V., Kistova A. V., Pimenova N. N. Standarts of Artistic Culture in Higher Education: Practice of Developing Visual Thinking
Gabriyelyan T. O. Conceptual Model of Higher Educational Program on Communicative Design
Chang Xiaogeng. Development of Environmental Design in Russia and in China at the Present Stage
Varlamova T. P. Repertoire as the Prevailing Factor of the Contestant’s Psycho-Emotional State
Yakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)
Turlyun L. N., Stepanskaya A. G. Features of Functioning and Perception of Traditional Art in Virtual and Digital Environment
Samoilova N. K. Constant and Variable in the Style of a Russian Piano Quartet
Tereshchenko V. P. The Influence of S. I. Taneyev’s Stylistic Principles on Russian Choral Music of the XXth Century
Garipova N. F. To the Question of Sacred Meanings in N. Sabitov’s Piano Cycle “Seven Tunes”
Romashchuk I. M. “The Front”: Music for a Film as an Archival Document
Aleksandrova V. A. The Project of Staging “Khovanshchina” by M. P. Mussorgsky in B. V. Asafyev’s Orchestration
Mochalsky N. A. Artist Dmitry Mochalsky and His Works
Kirillina O. M. Literary Bohemia in the USSR. State and Underground
Zhang Kewu. Legacy of Xiao Youmei: Paths to European Music
Chistyakov R. V. “Brother Bunny” Opera for Children by Fattah: Genre and Composition Features
Podguzova O. A. S. Yakovenko and His Skills in the Context of the Interpretation of Y. Boutsko’s Mono-Opera “Diary of a Madman”
Stepanova M. A. Victor Ulyanich and His Ladozvonn Integrated Music-Theoretical System (portrait of the composer)
Kartseva С. A. Public Art in Educational and Research Environment
Sitnikova S. A. Ancient Sacral Meanings of Coniferous Tree (Spruce, Pine) in Tver Traditional Culture
Yeginbayeva T. Zh. Modern Performance on the Kazakh Kobyz
Alpatova A. S. Oligotonics and Chasmatonics in Traditional Songs of North American Indians (on the 145th anniversary of the birth of Natalie Curtis).
Kozlova T. V. Psychological Aspect of Synesthesia and Features of Synesthetic Perception of Deaf People
Dylkov A. G. On the Use of Some Cloud Services in Education
Grinko O. G. Time Challenge: Computer and Internet Technologies in Vocal Ensemble Training
Strizhak A. V., Kazakova N. U. The Method of Bionic Shaping in Teaching Bachelors of Industrial Design (experiment results).
Suvorova A. G. Practical Course Content of Russian Grammar for Chinese Students
Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia
Belyakova E. V. A New Aspect of Cultural Diffusion
Gorbunova M. B. Developing the Emotional Intelligence of Students in the Process of Musical Activity
Xing Xin. Tan Dun’s Violin Concerto “The Love” as a Reflection of Stylistic Diversity of Modern Composition
Gorshkova A. M. Piano Pieces of A. S. Arensky on the Example of the Cycle Op. 36
Akshentseva V. M. Dialogue and Its Manifestations in Instrumental Concerts of J. Haydn
Lebedev A. E., Voynova D. V. T. Leschetizky’s Piano Traditions and Their Refraction in the Activity of Saratov Conservatory Teachers
Platonova A. A. A. B. Goldenweiser’s Creative Principles
Krasnogorova O. A. The Sound of the “Golden age”: Problems in Performing English Virginal Art
Tsvetkova E. O. S. Prokofiev’s “Fleeting Moments”: Choreographic Interpretation of the Piano Masterpiece
Trifonova А. A. “Symphonic Etudes” by R. Schumann: History of Creation and the Problem of Interpreting “Posthumous Variations”
Vinokurova N. A., Tabachnikova O. M. The Role of Literature and Humanitarian Education in Socio-Economic Behaviour of Russian Youth
Kalitzky V. V. On the Social Status of Pianists-Concertm
Dolinskaya E. B. International Scientific and Practical Youth Forum
Wang Kaidi. Tang Jianping’s Opera “The Dawns Here Are Quiet”: History of Creation and Specifics of Musical Dramaturgy
Xia Tsihan. Rock Opera Genre and Its Outstanding Examples in the Musical Culture of the Last Third of the XXth Century
Podguzova O. A. Sergey Yakovenko: He Knew How to Embrace the Immensity
Ursegova N. A. Wedding Music and Poetry Folklore of the Russian Population of the Southern Urals
Murzaliyeva S. S. Kazakhstan’s Modern Mass Culture in the Context of Musical Revival Trends
Varlamova T. P. The Role of Fingering in Teaching Visually Impaired Students in the Domra Class
Yefremova N. I. Theoretical Foundations of Modern Music and Rhythmic Education
Kochekov V. F. Elementary Music in The Soviet Union: Prerequisites for Implementation in the Training and Educational Space
Yakoupov A. N. Social and Musical Communication: Stages of Formation in Russia
Chvanova T. P. Sound Recording, Audio Communications and Piano Performance: Evolution of Views
Vorozheykina V. А. Principle of Classification of Urban Wayfinding Objects
Murataev K. K., Krykbayeva S. M. Issues of Ethnocultural Traditions Development in Modern Artistic Practice
Chen Zekang. Symphony Concerto for Percussion and Orchestra “Sacred Fire 2008” by Tang Jianping: the Program and Its Instrumental Implementation
Plotnikova N. Yu. Four-Part Choral Concertos by Nikolay Diletsky: on the Way to Publication
Moskva Yu. V. Fragment of a Latin Manuscript from the Andrey Rublev Museum in Moscow
Merkulov А. М. Pre-Moscow Period in the Activities of P. A. Pabst (1854–1878)
Chen Xize. Store Permanently (from the Archive of The Moscow State Conservatory)
Zachinyaeva M. P. After Reading “Hamlet”: Three Views on a Masterpiece by W. Shakespeare
Yu Yang. “The Queen of Spades” by A. S. Pushkin — P. I. Tchaikovsky: to the Question of Cultural and Pseudo-Cultural Reinterpretation
Maytesian T. D. Some Style Features of Violin Works by N. K. Medtner
Terentyev S. S. Inside the Dante Worlds: Symbolic Space of Boris Tishchenko’s “Dante-Symphonies”. On the 755th Anniversary of the Birth of Dante Alighieri (1265–1321)
Krasnikova T. N. “Symphony of Sorrowful Songs” by H. Gorecki as a Cultural Memory Phenomenon
Limitovskaya A. V., Alexeeva I. V. Sound Image of a Cuckoo in Instrumental Music by Composers of the XVIIth – XIXth Centuries
Panova E. V. The Ballet “The Little Humpbacked Horse” by Cesare Pugni: Borrowings and Citations of Music Material
Ilinskaya N. I. Art Mediation in Russia and France: General and Differences
Dukov E. V. Night and Its Industries
Davlatzoda B. D. Tajik Chordophone Rubob: Genesis, Ergonomics
Sobkin V. S., Sobkina A. V., Lykova T. A. Inclusion and Attitude Towards Education of Art Students
Romashchuk I. M. Beethoven in the Mirror of Centuries
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