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Art Education and Science. 2020 Issues

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ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

 

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Borisenko T. S., Ignatova I. B. Artistic and Creative Activity of the Head of an Amateur Choreographic Team: from Concept to ImplementationMaroziene R. Sociocultural Aspect of Teaching to Play Lithuanian National InstrumentsYakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)Funtova D. A. Artificial Intelligence in the Context of Culturological DimensionPlyakhotko A. S., Akulich E. M. Library of a New Type as a Cultural UniversalUrvantseva O. A. Dialectics of the Interaction of Style and Content (on the example of music by composers of the XXth century)Plotnikova O. M. Libretto of the Opera the Magic Flute by W. A. Mozart in the Genre of Fairy-TaleZheng Yan. Artistic Images of the Ballet the River Flows by Zuo ZhenguanKirillina O. M. Literary Bogemia in Russia and in the USSR. Revolution and BohemiaArtamonova E. A. From Russia to the UK and Back Across the English Channel: Musical Discoveries from WWII and the Thaw (recent archival findings and publications)Grutsynova A. P. French Ballet at the End of the XIXth Century (Javotte, 1896)Irkhen I. I., Li Rui. Choreographic Borrowings as a Form of Promoting the Russian Ballet Tradition in ChinaGasnikova O. V. Transformation of an Opera Performance into a Ballet (by Russian and West European choreographers).Markov A. V. Italian Primitive and Critical Revival in Russian ModernismAbdrashitova I. V., Peremyslov I. A. Poetic Statement as the Fixation of Human ExistenceKhoroshavina V. B. Nikolai Sidelnikov’s Spiritual Works as a Reflection of the Philosophy of CultureWei Pengfei. Chinese Traditional Art — QuyiFomchenko E. V. Performance in Folk CultureSergeeva M. I. Сarvers of Gingerbread Boards: Traditions of the Past and the PresentYegorova M. A., Rabina T. M. Methods of Musical and Rhythmic Education of Preschool Children with Visual Disabilities Based on Pedagogical System of Karl OrffSaito Momo. Nikolai Medtner ― Professor of Moscow Conservatory
Kolbysheva S. I. Aesthetic and Art Education as a Sociocultural PhenomenonTarasova M. V., Kistova A. V., Pimenova N. N. Standarts of Artistic Culture in Higher Education: Practice of Developing Visual ThinkingGabriyelyan T. O. Conceptual Model of Higher Educational Program on Communicative DesignChang Xiaogeng. Development of Environmental Design in Russia and in China at the Present StageVarlamova T. P. Repertoire as the Prevailing Factor of the Contestant’s Psycho-Emotional StateYakoupov A. N. Music Communication: Ways of Reproduction and Channels of Perception of Music (historical and analytical view)Turlyun L. N., Stepanskaya A. G. Features of Functioning and Perception of Traditional Art in Virtual and Digital EnvironmentSamoilova N. K. Constant and Variable in the Style of a Russian Piano QuartetTereshchenko V. P. The Influence of S. I. Taneyev’s Stylistic Principles on Russian Choral Music of the XXth CenturyGaripova N. F. To the Question of Sacred Meanings in N. Sabitov’s Piano Cycle “Seven Tunes”Romashchuk I. M. “The Front”: Music for a Film as an Archival DocumentAleksandrova V. A. The Project of Staging “Khovanshchina” by M. P. Mussorgsky in B. V. Asafyev’s OrchestrationMochalsky N. A. Artist Dmitry Mochalsky and His WorksKirillina O. M. Literary Bohemia in the USSR. State and UndergroundZhang Kewu. Legacy of Xiao Youmei: Paths to European MusicChistyakov R. V. “Brother Bunny” Opera for Children by Fattah: Genre and Composition FeaturesPodguzova O. A. S. Yakovenko and His Skills in the Context of the Interpretation of Y. Boutsko’s Mono-Opera “Diary of a Madman”Stepanova M. A. Victor Ulyanich and His Ladozvonn Integrated Music-Theoretical System (portrait of the composer)Kartseva С. A. Public Art in Educational and Research EnvironmentSitnikova S. A. Ancient Sacral Meanings of Coniferous Tree (Spruce, Pine) in Tver Traditional CultureYeginbayeva T. Zh. Modern Performance on the Kazakh KobyzAlpatova A. S. Oligotonics and Chasmatonics in Traditional Songs of North American Indians (on the 145th anniversary of the birth of Natalie Curtis).Kozlova T. V. Psychological Aspect of Synesthesia and Features of Synesthetic Perception of Deaf People
Dylkov A. G. On the Use of Some Cloud Services in EducationGrinko O. G. Time Challenge: Computer and Internet Technologies in Vocal Ensemble TrainingStrizhak A. V., Kazakova N. U. The Method of Bionic Shaping in Teaching Bachelors of Industrial Design (experiment results).Suvorova A. G. Practical Course Content of Russian Grammar for Chinese StudentsYakoupov A. N. Social and Musical Communication: Stages of Formation in RussiaBelyakova E. V. A New Aspect of Cultural DiffusionGorbunova M. B. Developing the Emotional Intelligence of Students in the Process of Musical ActivityXing Xin. Tan Dun’s Violin Concerto “The Love” as a Reflection of Stylistic Diversity of Modern CompositionGorshkova A. M. Piano Pieces of A. S. Arensky on the Example of the Cycle Op. 36Akshentseva V. M. Dialogue and Its Manifestations in Instrumental Concerts of J. HaydnLebedev A. E., Voynova D. V. T. Leschetizky’s Piano Traditions and Their Refraction in the Activity of Saratov Conservatory TeachersPlatonova A. A. A. B. Goldenweiser’s Creative PrinciplesKrasnogorova O. A. The Sound of the “Golden age”: Problems in Performing English Virginal ArtTsvetkova E. O. S. Prokofiev’s “Fleeting Moments”: Choreographic Interpretation of the Piano MasterpieceTrifonova А. A. “Symphonic Etudes” by R. Schumann: History of Creation and the Problem of Interpreting “Posthumous Variations”Vinokurova N. A., Tabachnikova O. M. The Role of Literature and Humanitarian Education in Socio-Economic Behaviour of Russian YouthKalitzky V. V. On the Social Status of Pianists-ConcertmDolinskaya E. B. International Scientific and Practical Youth ForumWang Kaidi. Tang Jianping’s Opera “The Dawns Here Are Quiet”: History of Creation and Specifics of Musical DramaturgyXia Tsihan. Rock Opera Genre and Its Outstanding Examples in the Musical Culture of the Last Third of the XXth CenturyPodguzova O. A. Sergey Yakovenko: He Knew How to Embrace the ImmensityUrsegova N. A. Wedding Music and Poetry Folklore of the Russian Population of the Southern UralsMurzaliyeva S. S. Kazakhstan’s Modern Mass Culture in the Context of Musical Revival TrendsVarlamova T. P. The Role of Fingering in Teaching Visually Impaired Students in the Domra Class
Yefremova N. I. Theoretical Foundations of Modern Music and Rhythmic EducationKochekov V. F. Elementary Music in The Soviet Union: Prerequisites for Implementation in the Training and Educational SpaceYakoupov A. N. Social and Musical Communication: Stages of Formation in RussiaChvanova T. P. Sound Recording, Audio Communications and Piano Performance: Evolution of ViewsVorozheykina V. А. Principle of Classification of Urban Wayfinding ObjectsMurataev K. K., Krykbayeva S. M. Issues of Ethnocultural Traditions Development in Modern Artistic PracticeChen Zekang. Symphony Concerto for Percussion and Orchestra “Sacred Fire 2008” by Tang Jianping: the Program and Its Instrumental ImplementationPlotnikova N. Yu. Four-Part Choral Concertos by Nikolay Diletsky: on the Way to PublicationMoskva Yu. V. Fragment of a Latin Manuscript from the Andrey Rublev Museum in MoscowMerkulov А. М. Pre-Moscow Period in the Activities of P. A. Pabst (1854–1878)Chen Xize. Store Permanently (from the Archive of The Moscow State Conservatory)Zachinyaeva M. P. After Reading “Hamlet”: Three Views on a Masterpiece by W. ShakespeareYu Yang. “The Queen of Spades” by A. S. Pushkin — P. I. Tchaikovsky: to the Question of Cultural and Pseudo-Cultural ReinterpretationMaytesian T. D. Some Style Features of Violin Works by N. K. MedtnerTerentyev S. S. Inside the Dante Worlds: Symbolic Space of Boris Tishchenko’s “Dante-Symphonies”. On the 755th Anniversary of the Birth of Dante Alighieri (1265–1321)Krasnikova T. N. “Symphony of Sorrowful Songs” by H. Gorecki as a Cultural Memory PhenomenonLimitovskaya A. V., Alexeeva I. V. Sound Image of a Cuckoo in Instrumental Music by Composers of the XVIIth – XIXth CenturiesPanova E. V. The Ballet “The Little Humpbacked Horse” by Cesare Pugni: Borrowings and Citations of Music MaterialIlinskaya N. I. Art Mediation in Russia and France: General and DifferencesDukov E. V. Night and Its IndustriesDavlatzoda B. D. Tajik Chordophone Rubob: Genesis, ErgonomicsSobkin V. S., Sobkina A. V., Lykova T. A. Inclusion and Attitude Towards Education of Art StudentsRomashchuk I. M. Beethoven in the Mirror of Centuries
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