Art Education and Science. 2021 Issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Ilinskaya N. I. Creativity Development as the Main Function of Higher Education Institution Varlamova T. P. Concertmaster’s Multifunctional Activities in the Domra Class Chen Xize. On the Conductor Training System in China (methodological observations)Yakoupov A. N. Music and Communication Processes in Society: Management Theory Kozyakova M. I. Virtual Space as a New Type of Artificial Environment Stepanova M. A. “The Starry Wind of Cassiopeia” by Victor Ulyanich: Experience in Analysing Computer and Audiovisual Compositions Beriglazova Ye. V. Artistic Images of S. Sirotin’s Poem “The Death of Ivan the Terrible”: Satirical Tragic Aspect Merzlov A. N. Sergey Rachmaninoff’s Vocal Cycle “Six Poems” for Voice and Piano, Op. 38: Features of Musical Content and Form Sapozhnikova V. S. Emergence of Fashion as Social and Cultural Phenomenon Peremislov I. A., Peremislova L. G. (USA). Japanese Aesthetics in American Silver Masterpieces Lebedev D. L. Aubrey Beardsley and Arthur Rackham: Subtleties of Impact Wang Dan. To the History of the Production of Tchaikovsky’s Opera “Eugene Onegin” in China Ivanov A. I. Christopher Bork and His Trombone Course Merkulov А. М. Louis Pabst, Brother of Pavel Augustovich Pabst Izergina A. R. In the Mirror of a Masterpiece: “Five Reflections on the Theme of the 24th Caprice of Paganini” by Kuzma Bodrov Lazarev P. S. Multimedia Technologies in Modern Performance: “A Woman from the Past” in The Saratov Drama Theatre Padyan Yu. Yu. Performance as a Contemporary Art Phenomenon Turlyun L. N., Frantseva N. V. Textile Ornament. Evolution from Block Printing to Computer Technologies Boitunova S. I., Maksimova S. V., Shlykova O. V. Book Culture and Art in Yakutia Chen Xize. Meetings with the Lifetime Classic Composer Du Mingxin Volkov D. V. Traditions of Gusli Playing in Village Life Sobkin V. S., Lykova T. A., Sobkina A. V. Relationships with Parents as a Psychological Resource in Obtaining Higher Education in the Arts for Students with Disabilities Balatskaya A. L. P. I. Tchaikovsky and J. E. Conus. From the History of Correspondence

Ilinskaya N. I. Innovative Technologies in Education. Teacher as the Main Subject of Educational Process in the Age of Digital Transformation Berezhnoy V. Yu. Modern Russian Music for a Bayan Duet: (last third of the XXth – beginning of the XXIst century)Yakoupov A. N. Music and Communication Processes in Society: Management Theory Plotnikova O. M. Heuristic Potential of the “Art World” Metaconcept in Music Communication Kostina A. V. Popular Culture and Mass Culture: to the Problem of Definition Alekseeva M. Yu., Mikhailov A. A., Samsonova I. V., Rakova M. S. Typological Outlines of Transitional Consciousness in Modern Culture Sidorova M. A. Sacred Theme of M. I. Glinka’s Opera “A Life for the Tsar” and Its Ideological and Artistic Functions Koshkareva N. V. “Epigraph by Count Tolstoy to His Novel “Anna Karenina” by R. Shchedrin: Paradigm of Polyphonic Thinking Kulakova O. Yu. Artists Serving Botanists: Conflict and Search for Mutual Understanding in the XVIth – XVIIth Centuries Peremislov I. A., Peremislov L. G. Japanese Aesthetics in American Silver Masterpieces Supotnitskaya E. S., Sharma E. Yu. In the Shadow of Chaliapin: Ivan Yershov Wang Kaidi. Cultural Contacts between Russia and China in the Field of Music and Drama Theater (50s of the XXth century)Miroshnichenko S. V. I. G. Agafonnikov — Portrait of a Conductor and Teacher Yu Yalong. Development of Cello School in China. Creative and Pedagogical Activities of Wang Liansan and Situ Zhiwen Xia Tsihan. Interpretation of Musical Genre in the Works of R. Ignatiev and K. Breitburg Varlamova A. V. The Sound Palette of Nikolay Berestov’s Piano Work Chen Zekang. Jia Daqun Concerto “Fusion II”: Interpretation of Chinese Percussion Instruments Miroshnikov V. V., Miroshnikova V. M. On the Problems of Visual Image Formation in Russian Territorial Branding Ursegova N. A. Russian Folklore in Mass Musical Education of Children in Pre-Revolutionary Russia (60s – 80s of the XIXth century)Zhang Yue. Russian Folk Song “Over the Silver River” and Its Fate in China Sobkin V. S., Lykova T. A., Sobkina A. V. Life Attitudes of Students with Disabilities and Students with Preserved Health Dolinskaya E. B. Fabulous Musicians: S. Prokofiev and N. Medtner

Boubnova M. V. Creating Works of Visual Art: Features, Problems and Concepts of Artistic Activity Khairulina A. V. On the Methods of O. N. Loshakov in Teaching Easel Painting. From His Experience at the Vladivostok Art School in 1960–1962 Bondarenko N. G. Didactic Potential of Mobile Learning in Higher Education Melnikova E. V. New Forms of Interaction Between Music and “Word“ in Modern Vocal Creation. To Be Studied in the Course “Analysis of Musical Works / Musical Form“Chen Qiaoyu. On the Art of Vocal Teaching by Professor Jin Tielin Yakoupov A. N. Music and Communication Processes in Society: Management Theory Sergeeva T. S., Doroschuk E. S. Specificity of Russian Art Blogging as a New Form of Media Creation in Digital Age Chernova E. V. About the Children’s Segment of Musical Mass Media Culture in the XXIst Century Vinokurova N. A., Tabachnikova O. M. Economics, Culture, Education: Gender Aspect Ke Meili. Formation of the Traditional Understanding of the Piano Miniature Genre (historical aspect)Surayeva N. G. From the History of the Formation of the Imperial Academy of Painting in China Gudymenko Yu. Yu. Tradition and Innovation in the Works of O. A. Kiprensky: Portrait of A. K. Schwalbe Shyntyapina Ye. S. Fairy-Tale and Mythological Motifs in the Decoration of Architectural Complexes by N. P. Krasnov in Yalta District Teterina N. I. B. V. Asafyev’s Unpublished Notes in the Margins of M. P. Musorgsky’s Orchestral Score for “Boris Godunov“Tsvetkova P. Yu. B. Brecht’s “Turandot“ at the Taganka Theatre: History of Creation and Musical Disign by A. Schnittke Zhao Huaichao. Du Fu Poetry and Its Interpretation in the Genre Diversity of the First Notebook of “Sichuan Elegies” by N. Sidelnikov Alekseeva I. V. Margarita Zelenaia: “The Agony in the Garden” Based on El Greco. Musical Interpretation of the Gospel Story Zhang Kailin. Polarity of S. Slonimsky’s Stylistic Guidelines in the Instrumental Concerts “Primaverile” and “Tragicomedy”Turintseva А. В. “Musical Reading”: a Pedagogical Approach of M. F. Gnesin Wang Dan. Guo Shuzhen as One of the First Chinese Performers of Tatiana in the Opera “Eugene Onegin” by P. I. Tchaikovsky Ursegova N. A. Publication of the “Siberian Living Antiquity” (1923–1929). To the Problem of Studying the History of Russian Folkloristics in Siberia Varlamova T. P. The Importance of Compensatory Skills of Visually Impaired for the Creative Work of a Musician Romashchuk I. M. N. Ya. Myaskovsky: the Attraction of Talent

Kolbysheva S. I. Conceptual Foundations of Artistic and Aesthetic Education (Philosophical Level of Comprehension)Sitnikov Ph. S. Forming Creative Experience of Plastic Expressiveness of Student Actors in Interaction with a Puppet Yakoupov A. N. Music and Communication Processes in Society: Management Theory Alekseyeva I. V. The Concept of Intertextual Interactions by M. G. Aranovsky in Contemporary Musicology of the Urals Galyatina A. V. The Form of the Suite in Ballet and Its Metrorhythmic Organization Krilov I. A. Site-Specific Art-Practice as an Alternative Format of Theatre Art Tolstova A. A. Functioning Mechanism of Artistic Engineering in Environmental Design: Inter-Сomponent Relations of Contradictions Samsonova I. V., Mikhailov A. A., Alekseeva M. Yu. The Cult of the Mother of God in Russia and the Transformation of Orthodox Iconography Zhang Kailin. Sergey Prokofiev and Sergey Slonimsky: a Double Portrait in the Interior of Theater, Cinema and Radio Luo Yuanyuan. Ma Sicong and His Role in the Development of Chinese Musical Culture Chen Xinheng. The History of the Creation of the Ballet “The White-Haired Girl”Gruzdev A. A. Iconological Method in Semiotic Analysis of Artworks Finkelshtein Yu. A. “Tous les matins du monde”: Poetry of Fading Sound Dukov E. V. Performing Arts in Russia in the Context of the Pandemic Lukina G. U. On Recent Publications of the State Institute for Art Studies Krasnikova T. N. Witold Szalonek. Little Symphony B.A.C.H. in the Context of Symphonic Works of Polish Composers of the second half of the XXth century Zhao Huaichao. The Second Notebook of the Vocal and Choral Cycle “Sichuan Elegies” by Nikolai Sidelnikov: Dramaturgy and Stylistic Features Rong Yan. Implementation of National Heritage in Piano Music by Modern Chinese Composers Pashkova T. V. Dramatic Expressiveness of the Language of Folk Character Dance in Classical Heritage Ballets Nagornaya L. N. Aesthetics of Glitch Art: Origins and Meanings.Makhan V. V. On the Existence of the Old Russian Domra Sobkin V. S., Emelin G. D., Nikolaeva Z. G., Savchenko N. L., Yakolvleva M. A. On the Portrait of a Disabled Person in the Media Sanko A. K. Evgeny Golubev and National Musical Cultures

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