Art Education and Science. 2022 Issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Buryakova L. A. Features of Music Teacher Training in French Universities: Intervenant Musician Bao Liwan. On the Relationship of N. Medtner’s Pedagogical Work with His Composing Activities Trifonova A. A. Organization of Tempo-Rhythm in Chamber Ensemble Music Imkhanitsky M. I., Sharabarin M. I. Features of Forming and Developing the Repertoire for a Mixed Ensemble of Russian Folk Instruments Kostina A. V. Network Subject as a Participant in the Educational Process Volkova I. G. The Potential of Computer Graphics in the Development of Students’ Artistic Abilities Evdokimova N. K. The Process of Science Integration in the Evolution of Russian Musicology of the XXth Century: to the History of the Issue Plotnikova O. M. Semantics of the Game Code of Culture and Its Actualization in the Opera “Don Juan” by W. A. Mozart Sergeev E. N. The German Fach System — a Modern Classification of Voices Artamonova E. A. Vladimir Rebikov and His Music in Great Britain (based on English Publications)Zhang Kailin. Forever the Same, Forever New Sergei Slonimsky Khakhalkina A. N. “Triptych” by Pyotr Fomenko: Basic Principles and Examples of Dramatization Miroshnichenko S. V. What the Archive Has Told about. Unknown about the Famous Musician: I. G. Agafonnikov — Student of the Moscow Conservatory Zhang Yong. The Spread of European Oil Painting in China in the XXth Century Lyashova S. A. “Partisan Requiem” by Henning Sommerro: Methods and Results of Interpreting Literary Texts in the Context of the Work’s Dramaturgy Wang Dan. A Novel in Verse “Eugene Onegin” by A. S. Pushkin: the Way to the Opera Stage Koshkareva N. V. Choral Cycle “Madrigal” by A. Ushkarev as a Polyphonic Miniature Theater Phenomenon Wang Huanyu. The Specificity of Chamber Vocal Genres in Chinese Culture Hao Jiatao. Yuri Вashmet: Facets of Creative Individuality Zhivitsa A. R. Modern Trends of Ethnic Music Kozlova T. V., Didenko N. S. The Role of Synesthesia in the Visual Activities of the Deaf Zhao Huaichao. Behind the Mask of Irony and Bravado He Hid His Tragic Face Krasnikova T. N., Stepanova M. A. Dedicated to the Anniversary

Kartseva E. A. Specificity of Professional Competences of Artists Working in Public Art Bataeva L. A., Akhmetshina A. K. Holistic Perception and Its Role in Professional Development of Future Teachers of Fine Arts Merkulov A. M. Issues of Improving a University Course in Piano Teaching Methodology Bao Liwan. Aram Tatulyan — Representative of A. B. Goldenweiser’s School in China Nu Lei. Features of Guo Shuzhen’s Pedagogical Style Samoilova N. K. At the Origins of the European Piano Quartet Genre Kudashova V. A. Violin Sound Image and New Compositional Writing Techniques of the second half of the XXth century Tolstova A. A. Conceptual Modelling in Environmental Design: Content and Management Model Deng Shuyu. Personalized Learning as a Trend in International Education Sukhanova T. B. The Stage Fate of L. van Beethoven’s Violin and Chamber Instrumental Heritage in Russia in the XIXth century Ivanov A. I. From the Legacy of N. A. Rimsky-Korsakov: Concerto for Trombone and Brass Band Yu Yalong. Formation of the Cello School in Russia: Western European Traditions and National Origins Xu Kaihua. Ways of Development of Choral Art in China Efanova M. V. E. V. Kolobov’s Interpretative Concept: Aesthetic Principles Tang Jing. Interpretation of Chinese Painting in the Xieyi Style Turlyun L. N. Computer Graphics as a Form of Computer Visual Art Shyntyapina Ye. S. Art Imagery of the Facade Decor of the Sanatorium “Energetik” in Yalta Gorbonos O. K. Features of the Depiction of Architectural and Ethnographic Symbols in the Works of Baikal Region Artists Romashchuk I. M. In Search of a Hero: Approaching the Opera “Chapayev” by A. N. Kholminov Doroschuk E. S., Bayraktar М. H., Guseinova А. A. Ethnodocumentary Cinema of Turkic Peoples as a Form of Ethnocultural Representation Lisovoi V. I., Alpatova A. S. On the Specificity of Fixing Educational Material in Musical-Theoretical Disciplines by Blind Students Zheurova V. K. On the 135th Anniversary of Zoya Lodiy’s Birth: Art Through Overcoming Tsvetkova P. Yu. I. F. Stravinsky and S. P. Diaghilev: to the History of Cooperation

Saigushkina O. P. Awareness of Creative Tasks as a Condition for the Professional Development of a Future Teacher-Musician Huang Shuang. Features of the Formation of Future Music Teachers Professional Competence in Chinese Universities Lin Yang. Manifestations of the Main Functions of Fine Art in Children’s Artwork Lukina G. U. On the Methodology of V. V. Medushevsky: towards Fundamental Pedagogy.Galkin O. А. Questions of Counterpoint from the Perspective of Energy Concept of Ernst Kurth Tatarkin D. Yu. J. S. Bach’s Cello Suites for Guitar, Arranged by Kojiro Kobune: Comparative Analysis Belyakova I. G., Mileshko A. L. Communicative and Intercultural Aspects of Dance in the Space of Information Culture Petrashen’ E. P. Modeling the Content and Conceptual Apparatus for the Subject Area “Environmental Design” as an Object of Study in the Educational Process Bogdanov V. P. Artist and Politics: Revolution and Civil War in the Works of I. A. Vladimirov Avetyan N. Yu. Materials to the Biography of the Artist and Photographer Hippolyte Robillard Chibikova I. Yu. Particularities of the Formation of Museum Collections of Old Russian and Church Art in the late XIXth – early XXth century in Samara Vdovina E. A. Radio Theater in the 1920s: the First Steps on the Invisible Stage Yu Yalong. Lin Yingyong — Member of Shanghai Women’s Quartet. Years of Professional Formation Limitovskaya A. V. About the Influence of the Timbre of the Singing Voice on the Perception of the Content of a Vocal Work (on the example of the performances of S. V. Rakhmaninov’s romance “It’s Good Here”)Podguzova O. A. From the Vocal Heritage of S. Yakovenko: Mono-Opera “The Accompanist” by F. Yanov-Yanovsky Dolinskaya E. B. The Second Birth of the Opera “Asya” by M. M. Ippolitov-Ivanov Anuchin A. M. The influence of Gregorian chorale on the Compositional Language of Marilyn Shrude in the Duo “Lachrymose”Pererva E. I., Safonova E. V. Compositional Principles of the Opera “Lord of the Flies” by E. Podgaits Kholodova S. J. About Some Artistic Expressive Means of Multimedia Installation on the Example of the “Nothing” Project by the Artist Tsang Kin Wah Lebedeva M. A. Timbre and Coloristic Features of the Concerto-Symphony by M. D. Smirnov Koblakhov R. A., Borisova E. N. Non-Sighted Button Accordion Players: Getting Prepared for a Concert Performance Tsvetkova E. O. The Great Universalist of the Turn of the Century (to the 150th Anniversary of A. N. Scriabin’s Birth)

Vyalukhina V. I., Gorodilova M. V., Ermakov A. A., Korobova A. G., Meshkova A. S. The Historical and Stylistic Approach to Teaching Musical-Theoretical Disciplines (from the experience of the Music Theory Department at the Ural State Conservatory)Guryev L. Ye. Teaching Trumpet Embouchure to Beginners: a Health Promotion and Prevention Approach Wang Zhaoyin. Marco Frank’s Compositional and Pedagogical Heritage on Viola Playing Jin Xiao. Methods for Developing Communication Skills by Means of Musical Theatre Moskva Yu. V. Musical Notation of the Liturgical Recitative (on the example of the Latin manuscript Epistolary from the Russian State Library)Tatarkin D. Yu. To the Question of the Original Idea of the Cello Suites no. 5 and no. 6 by J. S. Bach Nosoreva E. V. Piano Barcarolles by Gabriel Fauré: Interpretation of the Genre Yu Wenhang. Timbre Solutions in Chamber Music by Zuo Zhen-Guan in the 1980s (Sonata for cello solo and Triptych for three flutes)Parukava K. V. The Specifics of the Artistic Method in the Animalistic Genre of Fine Arts Popko O. N. The Graphic Portraits by Jan Ksawery Kaniewski from the Collection of the Princes of Wittgenstein Gorbonos O. K. Bratsk HPS as a Symbol of the Soviet Era in the Paintings of Landscape Artists Otstavnova A. O. Features of Artistic Work on the “Elegiac Trio” no. XNUMX by S. V. Rachmaninov Al-Mamory Yasir Khudhair obid, Kreidun Yu. A. The Problem of Violence, Criminal Dystopia and the Dialectics of (Dis)Order in Contemporary Films Belaya T. V., Maltseva O. I. The Use of Computer Technologies in Decorative and Applied Arts Golubeva O. S. Traditions of V. V. Lebedev’s School in Illustrations by Saint Petersburg Artists of the late XXth – XXIst centuries Milvit L. V. Imaginary Interview with L. A. Desyatnikov Kostina A. V. Traditional Culture and Reproduction of Its Attributive Features in Folklore Gainanova A. A., Yudichev S. V. Vocals as a Form of Productive Activity in Russian Speech Therapy Koshkareva N. V. The Russian Theme in the Polyphonic Space of R. Shchedrin’s a’cappella Choral Works (on the 90th anniversary of the composer’s birth)

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