Art Education and Science. 2023 Issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Kalitzky V. V. The Development of the Pianist’s Concertmaster Art in China Li Meixin. Evolution of the Flute Repertoire in the Works of German Composers in the first half of the XVIIIth century Bataeva L. A., Akhmetshina A. K. Forms for Realising the Pedagogical Potential of Folk Arts and Crafts in the System of Art Education Medushevsky V. V. Wave-Particle Duality in Pedagogy Alekseeva I. V. The Sound Ideal in Instrumental Music and Its Evolution: Research Problems Krygin N. N. Epic Theatre: Theory and Practice in the Special Theatrical Education Breitburg K. A. The Historical Prototype of the American Concept Musical Zhang Menwen. Contribution of the Russian Pedagogical Singing School to the Formation of Guo Shuzhen, the Star of the Chinese Opera Olympus Xu Kaihua. The Contribution of Shen Xingong and Li Shutong to the Formation of Choral Art in China: from ″School Songs″ to ″Spring Walk″Romashchuk I. M. Dance in the Operas of M. M. Ippolitov-Ivanov: the Text and Its Interpretation Garipova N. F. The Piano Work of R. Khasanov in the Context of the Stylistic Trends in Musical Art of the second half of the XXth century Kirillina O. M. L. Tolstoy and A. Platonov: Merciless Justice and Faith in Man Kartseva E. A. The Impact of Post-Digital Aesthetics on Works of Art in Urban Space Fomchenko E. V. Features of Meaning Making in the Russian Folk Dance Ursegova N. A. Russian Siberian Folklore Studies During the Revolution and the Civil War Varlamova T. P. Development of Auditory Perception of Musicians-Instrumentalists with Visual Impairments Zhumabekova D. Zh., Zhexembay A. E. Makpal Bekmagambetova — from the Constellation of Outstanding Violinists of Kazakhstan

Dolinskaya E. B. Innovative Ways of Russian Musicological Pedagogy in the XXth – early XXIst centuries Buryakova L. A. The Profession of Music Therapist in France: Training and Areas of Application Gavdush A. I. Synodal School: Forming a Model of Professional Education in the Russian Choral Culture of the XIXth – early XXth centuries Zhou Wei, Guo Jun. Research of Pedagogical Strategies and Practices of Creating Blended “Golden Lessons” in the Background of Constructing a “Double First-Class”Sinelnikova O. V. From Operas and Concerts to “Proverbs” and “Fragments”: Rodion Shchedrin’s Genre Experiments in the XXIst century Putecheva O. A. Myth as the Basis of Musical Meaning-Modelling in the Works of A. Bakshi Finkelstein E. Yu., Sushkova-Irina Ya. I., Andryukhin S. A. Preparing a Musician for a Concert Performance: the Specifics of Performing on the Guitar Balatskaya A. L. Sergey Ivanovich Taneyev and Jules Conus. Teacher and Student Wang Xintong. Viola Miniature by Rebecca Clarke Varlamova T. P. Formation of Musical Thinking in the Interpretation Activities of the Performer Trifonova A. A. Prokofiev’s Vocal Fairy Tale “The Ugly Duckling”: at the Interface between Romance and Opera Ke Meili. The Phenomenon of Tradition in Russian Avant-Garde Music of the 1960s–1980s Xu Kaihua. Outstanding Representatives of the Chinese School of Choral Performance Bogomolova Yu. Yu. Transformation of the Image of Mary Magdalene in “The Feast at Simon the Pharisee” in Italian Painting Andreeva O. P., Mikhailova E. V., Akhmetova S. P. Art Nouveau Architecture in the Modern Urban Image of Chuvashia Sitnikova S. A. Plants in Traditional Magical Practices of the Tver Folk Calendar (Winter Rites)Gainanova A. A., Yudichev S. V. Vocal Elements as a Form of Productive Activity for Correction of Speech Prosodics Speech Therapy Golovataya G. F. Modern Methods and Approaches in the Process of Teaching Singing to the Disabled and Persons with Disabilities Dolinskaya E. B. Sergei Rachmaninoff and Nikolai Medtner: Life and Creative Parallels Romashchuk I. M. S. V. Rachmaninoff and M. L. Presman: to the History of Friendship between the Two Musicians

Vinokurova N. A., Tabachnikova O. M. Interdisciplinary Approach: the Role of Art in Science and Education Kolbysheva S. I., Pishchik O. G. Artistic and Aesthetic Literacy: on the Development of the Concept Grigorev K. A. The Role of André Jolivet’s Trumpet Compositions in the Formation of Original Concert Repertoire Lensu Ya. Yu. Design and Social Communication Zadneprovskaya G. V. Aesthetics of Conceptualism in the Works of Iraida Yusupova Anuchin A. M. The Application of Motivic Development and the Golden Ratio in Marilyn Shrude’s Composition “Renewing the Myth”Kainova I. A. Victor Ulyanich: Features of the Orchestral Dramaturgy of the Poem about Eternal Love “Peter and Fevronia”Novikova E. S. XVIth century Female Self-Portraiture in Italy and Its Formal Criteria Wang Jing. Piano Concerto in the Works of Chinese Composers: to the History of the Genre Formation Sukhanova T. B. Reflection of the National Character Traits in the Performing Art of Russian Violinists Petrov A. K. “All-Night Vigil” by S. V. Rachmaninoff: Performance Aspects of “Historical Reconstruction”Nguen Bao Yen. Expressive and Performing Features of the Part of Undine from Tchaikovsky’s Opera of the Same Name Wen Yaping. Cello Concerto “La Memoire” by Chen Musheng: Programme and Its Interpretation Konovalova N. A. Particularities of Architecture of Modern Theatre Buildings in the World: Global Requirements and National Priorities Gorbonos O. K. The Image of the Lake Baikal in Landscape Painting by Eastern Siberian Artists Golubeva O. S. Traditions of Book Graphics of the “World of Art” Association in Saint Petersburg Children’s Book of the late XXth – early XXIst centuries Peremyslov L. G., Cherkassky I. I. Artist Julia Dolgorukova. Perfect Expression of Love Lebedeva M. A. Concert-Symphony for Domra and Orchestra of Russian Folk Instruments by A. A. Tsygankov (Artistic Expressive Means and the Role of Timbre)Nikodimov I. Yu. Legal Aspects of Introducing Artificial Intelligence in Inclusive Education Tsvetkova P. Yu. The History of the Creation of J. Verdi’s Opera “Falstaff ” through the Prism of Epistolary Writing (on the 210th anniversary of the composer’s birth)

Garipova N. F. National Vocabulary as an Important Semantic Component of Piano Works by Bashkir Composers Zhang Mengwen. Methodology of the Russian Singing School by Professor E. K. Katulskaya Nikodimov I. Yu. Legal Issues of Implementing Modern Information Systems in the Educational Process (on the example of creative universities)Didenko V. D., Didenko N. S., Kozlova T. V. Art as a Reflection of Fundamental Contradictions in the Sphere of Spirit and Society Bulgakova I. A., Churin A. S. Art Criteria in Artificial Intelligence Alekseeva I. V. The Theme of Memory in Mikhail Kollontay’s Trio “Ten Words of Mussorgsky on the Death of Viktor Hartmann”Urvantseva O. A. The Role of the “Estate Topos” in Rachmaninoff’s Work Galina G. S. Harmonic Language in the Works of Bashkir Composers (on the example of opera)Grutsynova A. P. Saint Petersburg Ballet of the 1840s: Collaboration of F. Taglioni and A.-Ch. Adam Skorbyashchenskaya O. A. The Gerke Dynasty and Its Role in Russian Musical Culture Merkulov A. M. Rachmaninoff in Conversation with Harriette Brower Smirnova M. V., Han Qing. Reflecting on S. M. Khentova’s Book “Lev Oborin”Peremislov I. A. Viewer Impressions of Artistic Expression: Art from the Conscious to the Unconscious and Vice Versa Nasibulina A. V. The Twelve-Tone Technique of Yuri Kasparov. Tradition and Modernity Baeva A. A. Problems of Modern Russian Opera: an Educational Project Dvuzhilnaya I. F. Semantic Codes of Mikhail Bronner’s “Shoah Symphony”Sokolvyak N. L. String Quartet in the Context of Literary and Epistolary Heritage of Russian Composers and Performers Galina G. S. Modern Trends in the Genre Formation of Bashkir Opera Satdarova L. L. Music by R. M. Glière for Drama Theatre Rakhimov R. G. Aerophone Hornai as a Variety of the Bashkir Shawm Group Sergeeva T. S. Functional and Stylistic Specifics of Stage Folklore (from the practice of the state folk ensembles of the Republic of Tatarstan)Ding Zhan. The Origins of the Chinese Tao Vocal Culture Pakhomova E. A. On the Prospects for Interdepartmental Cooperation in the Development of Inclusive Social Theatre Practices Operating on the Basis of Inclusive Creative Laboratories Sanina N. V. Creative Development in an Inclusive Environment: the Experience of Inclusive Creative Laboratories Artamonova E. A. Rudolf Barshai: Symphonic Concert Programmes During the Soviet Period. Archival Findings (to the 100th anniversary of his birth)Sharma E. Yu., Lelyanova M. O. Forgotten Names of Russian Chamber Vocal Art: Vera Dukhovskaya (to the 120th anniversary of her birth)

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