Art Education and Science. 2024 Issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Doroschuk E. S. Organising the Art Education of Future Journalists: Basics of Mimetic Training Yakoupov A. N. Academic Music of the XXth – first quarter of the XXIst century: on the Way to Mastering (In English)Sinelnikova O. V., Maksimova D. D. National Traditions and Techniques of the XXth century Composition in Alberto Ginastera’s Sonata for Guitar Boubnova M. V. Complementary and Related Colour Combinations as the Basis of Colour Harmony Nepriyatel Yu. A. Features of Animalistic Pattern Formation in Russian Fine Art until the XVIIIth century Trofimova A. K., Kazakova N. Yu. Prerequisites and Trends in the Development of Virtual Museums in the XXIst century Vasenina E. V. Information and Research Center “Dance Union” as an Example of Digitalisation of Russian Contemporary Dance Nikodimov I. Yu., Slivin T. S. Modern Problems of Legal Protection of Copyright in Science and Art Sharma E. Yu. To the History of Chamber Vocal Performance in Russia: Olga Butomo-Nazvanova Bao Liwan. Alexander Tcherepnin: Russian-Chinese Composer-Pianist-Teacher Wen Yaping. From the History of the First Chinese Cellist’ Training at the Moscow Conservatory (based on archival materials)Gonchikova M. Ts., Dondokova R. B. Formation of Human Resources in the Buryat-Mongolian ASSR in the field of Musical Culture and Education in the 1920s – 1930s Wang Jing. Chu Wanghua’s Piano Concerto “My Homeland”: Specific Refraction of the Immanent Properties of the Genre Kovalev A. B. Yu. Sherling. Oratorio “Exodus Triada”: Figurative Content and Composition Uchitel N. K. After “Reading Bitten”: on the Peculiarities of Style and Dramaturgy of Boris Klyuzner’s Second Symphony Dolinskaya E. B. Premiere Half a Century Later (S. M. Slonimsky’s Opera “The Master and Margarita” on the Stage of the Samara Opera and Ballet Theatre named after D. D. Shostakovich)Shcherbakova A. E. To Children about Art: Domestic Illustrated Editions of the 1800 – 1820s Saigushkina O. P., Zhang Fengwei. Artistic Portrait of Dai Yuqiang Shaygozova Zh. N. Archetypal Plots and Images of Artistic Embroidery of Kazakhstan in the XXIst century Kazakov E. O., Grishina O. G., Samutina O. S. Socio-Cultural Integration of Hearing Impaired People Gainanova A. A., Yudichev S. V. Vocal-Voice Therapy through the Prism of Vocal Pedagogy Zhumabekova D. Zh., Kapeu-Kokhanova M. B. Xth International Violin Competition “Astana-Violin” in Memory of David Oistrakh

Saigushkina O. P. Konstantin Nikolayevich Igumnov: the Germination of Traditions Kovaleva (Abzalova) S. R. The Problem of Emotionality in the Education of Performers-Vocalists: in Search of Balance and Harmony Trubochkin D. V. On the Earliest Features of the Genre of Comedy Nevolina O. S. Scenography: the Evolution of Definition Danilova L. V. Modern Technologies of Scriptwriting and Directing in a Spectacular Project Peremislov I. A., Cherkassky I. I. Art Investor of the New Generation: System of Investment Evaluation of the Creativity of Artist (SIECA)Sukhorukov V. N. Сommunication Models in the Management of a Military Band Chernova E. V. Creation of a Conservatory in the Regional Industrial City in the Perspective of Objective and Subjective Factors Wu Chao. Li Delun’s Role in the Preservation of Chinese Orchestras Tian Jiafeng. Chinese Conductor Cao Peng: Years of Study at the Moscow Conservatory (based on archival materials)Smirnova M. V., Gu Yunchen. D. A. Rabinovich’s Research “Thoughts on Listianism. Interpretation, Repertoire, Style” in the Context of Modernity Nguyen Bao Yen. Features of the Soprano Voice and Its Interpretation: Singing Tradition and Possible Figurative Embodiments Chistyakov R. V. Refraction of Musical Traditions of Ancient Cultures in the Work of André Jolivet (on the example of “The Song of Linos” for flute and piano)Beriglazova E. V. The Concept “Rebel” in V. N. Salmanov’s Oratorio “The Twelve”Finkelstein Yu. A. Trends of Modernism in the Works for Classical Guitar by Russian Composers (60s of the XXth century)Nasibulina A. V. The Musical Style of Composer Yuri Kasparov Wang Jing. “Youth Concerto” for Piano and Orchestra by Liu Shikun and a Group of Composers: Implementation of Genre Traditions Yang Nan. Wang Lisan’s Piano Variations: Principles of the Embodiment of Folk Song Material Shaygozova Z. N. The Image of Time and Space in Turkic Traditional Decorative Art Zheng Yan. The Сhinese Erhu Instrument in Russia Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Socio-Cultural Rehabilitation of People with Disabilities and Limited Health Capabilities (experience of inclusive creative laboratories)Gainanova A. A., Yudichev S. V. Key Points of Vocal-Voice Therapy Effect on Dysarthria Nikodimov I. Yu. Using Artificial Intelligence in Inclusive Arts Education Tsvetkova E. O. M. P. Mussorgsky and the Ballet Theatre (on the 185th anniversary of the composer’s birth)

Sanko A. K. Russian Composer’s Pedagogy and the Contribution of E. K. Golubev Krasnikova T. N. Elective Subjects in the System of University Music Education Kovalenko K. V. Specialty “Musical Sound Engineering” in the Context of Standardisation of Higher Education in Russia Wang Yanzhe. On the Specifics of the Concept of “Chinese Piano School” Alekseeva I. V. Instrumental Music from the turn of the XXth – XXIst century in a Dialogue with the Past Romashchuk I. M. Dialogue as a Scientific Idea: Conversations between D. S. Dmitrienko and M. I. Imkhanitsky Barabanova D. A. Three Quarter-Tone Pieces by Charles Ives: Innovative Approach to the Piano Perception Vorobeva L. V. “The Cliff” Ballad by C. A. Cui: on the Problem of Genre Interpretation Akhmetova S. P., Mikhailova E. V., Andreeva O. P. Architectonics of School Space as a Tool for the Formation of Students’ Artistic Culture Ustinskaya K. I. The Main Stages in the Formation of European Vocal Art: from Antiquity to Modern Times Baeva A. A. The Golden Cockerel by N. A. Rimsky-Korsakov — The Nightingale by I. F. Stravinsky: Parallels and Intersections Ladyzhnikov N. A. Specific Features of the Russian Military March of the second half of the XIXth century Lukyanenko V. V. The Golden Calf by T. Khrennikov: Style and Genre Features Dvuzhilnaya I. F. Remembering the Holocaust: Cultural Contact in the Music of Mikhail Bronner Makarychev D. V. Actor of Synthetic Type in the Musical Theatre of the XXIst century Gusenkova A. A. The Influence of Ritual on the Formation of Russian Folk Art Ibragimov A. I. Syncretism of the Steppe Worldview and the Aesthetics of Information Technologies in the Works of Ilya Kazakov Dao Dang Phuong, Le Vinh Hung. Xoan (Hat Xoan) Folk Singing in Phu Tho Province and Its Role in the Musical Education of Primary School Children Ptitsyna E. V. Studying the Folklore Traditions of the Native Land in the context of Introducing Students to the Origins of National Culture Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Formation of Entrepreneurial Initiative in the Field of Creative Industries among People with Disabilities Romashchuk I. M. N. A. Rimsky-Korsakov: the Attraction of Talent (on the 180th anniversary of the composer’s birth)Potemkina N. A. Elena Fabianovna Gnesina — Creative Heritage

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