Art Education and Science. 2025 Issues

ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Vinokurova N. A., Tabachnikova O. M. The Importance of Artistic Education in Overcoming the Dangerous Trends of Our Time (based on surveys of Russian students)Bataeva L. A. Methodological Foundations of Teaching Academic Drawing in the context of the Development of Art Education Galustyan O. V., Zaitseva L. S-Kh. Features of the Structure of Design Education in Relation to the Development of Artistic Design in Modern China (experience and prospects)Niu Lei. General and Specific in Chinese Singing Schools Sednin N. N. The Concept of Softness and Rigidity of Forms and Its Importance in Artistic Creation Alekseeva I. V. Timbre as a System-Forming Component of the Instrumental Text (theory and practice)Liu Xianpeng. Aesthetic Features of Modern Chinese Popular Music in the Context of Sociocultural Changes Nikodimov I. Yu., Slivin T. S. The Relevance of the Legal Aspects of Self-Citation in Science and Art Kalitzky V. V. Italian Concertmaster School: the Process of Formation, National Specificities Pavlova N. V. The Ballet Gayane by A. I. Khachaturian: from the History of the 1952 Production Lopatin P. V. Ambient Around Us: the Historical Aspect Saygushkina O. P. M. Glinka’s Piano Compositions Interpreted by Modern Pianists Merkulov A. M. “In Such Conditions, Even Genius Inspiration Is Powerless to Bring Fame to an Artist” (on the performing art of V. I. Buyukli)Smirnova M. V., Han Qing. The Phenomenon of Van Cliburn on the Pianistic Horizon of the Era Sukala U. U. The Art of Playing the Guitar: Retrospect and Modernity Berezhnoy V. Yu. Musical Texture in the Repertoire of the First Amateur Bayan Duos (1915–1926)Pham Van Xay. Hat Trong Quan Singing as a Unique Form of Vietnamese Musical Culture Bi Xinge. Preservation and Development of Traditional Arts and Crafts of National Minorities in the Cultural Space of Modern China Tychinina N. G., Bragina Yu. V., Prozerina N. P. ICL Experience of the Sverdlovsk Region Innovative Cultural Center in Creating an Inclusive Environment Yuldashbaeva A. Sh. Inclusive Creative Laboratory Best Practices at the “Ataysal” Cultural Center of the Republic of Bashkortostan Smirnova M. V., Eroma M. V. Glinka’s Piano Music in the Light of Modern Aesthetic Perception (on the 220th anniversary of the composer’s birth)Lelyanova M. O., Sharma E. Yu. Not Just Carmen — on the 140th Anniversary of the Birth of L. A. Andreeva-Delmas

Gabrielyan T. O. Semiotic-Interactive Methodology of Co-Creation in Modern Graphic and Communicative Design Pakhomova N. V., Mezhova M. V., Nasonov A. A. Integration of Levels of Professional Education in the field of Performing Arts (on the example of theatre arts training programs)Varlamova T. P. The Problem of Instrumental Musicians’ Interest in Independent Activity Kozlova T. V. Philosophical Foundations of Bioart Sednin N. N. Theory of Positive Image Visualisation in Art Sokolvyak N. L. On the Specifics of Communication in Quartet Performance Boubnova M. V. Forming the Structure of a Floral Still Life Image: Color in Composition Zhou Yu. Experimental Art and Mixed Media Artworks as a Topical Issue of Contemporary Chinese Art Criticism Rybakova P. V. On the Issue of Territory Branding (the experience of the Siberian State Institute of Arts named after Dmitry Hvorostovsky)Zhong Shengyi. Ancient Vocal Genres as Precursors of Modern Chinese Chamber Vocal Lyrics Timofeeva M. V. Impresario Sol Hurok and a Tour of the Gorky Moscow Art Theatre Limitovskaya А. V. Tempo in the Structure of the Musical Work’s Content (on S. V. Rachmaninoff’s romance The Destiny)Mikhaylyuk D. P. The Aesthetics of Neorealism in World Cinema: Continuity and Transformation Romashchuk I. M. Antonio Spadavecchia Opera House Merkulov A. M. Vsevolod Buyukli: Style Trends in Russian Piano Performance at the turn of the XIXth – XXth centuries Selyutina A. A. Prelude and Fugue in C Major from the Cycle 24 Preludes and Fugues for Guitar by N. Koshkin: Features of the Interpretation of Polyphonic Techniques Fokina S. D. The Mirror Suite by Andrei Volkonsky: the Symbolism of the Musical Language Uvaruv V. D., Bi Xinge. The Daur Folk Art of Hanêka Paper Cutting: Preservation and Inheritance of Tradition Feng Kai. The Folklore Component of Zhu Jianer’s Compositional Style Pakhomova E. A., Kazakov E. O., Agafonova Yu. A. Inclusive Creative Laboratories: Status and Prospects Dolinskaya E. B. Shostakovich-Victory Gala — 80!Tsvetkova P. Yu. On the 340th Anniversary of the Birth of George Frideric Handel (regarding the sources of the composer’s opera libretti)

Cao Yifan. Artistic Education of Preschool Children in Russia and China: a Comparative Study Komarnitskaya O. V. The Musical Worlds of Valentina Nikolaevna Kholopova: to the 90th anniversary of her birth Zabneva E. I. The Apocryphal Book of Enoch: a Historical and Critical View of the Priest Alexander Smirnov Trubochkin D. V. Towards the Typology of Ancient Greek Theatre Masks Kostina A. V. Cultural Studies and Its Place in the System of Post-Non-Classical Knowledge Ekaterininskaya A. A., Seliverstova N. A., Fatova S. A. Staffing Imbalance in the Cultural Sphere: Trends and Guidelines for the Professional Training of Theatre and Cinema Actors Kholodova S. Yu. Multimedia Installation: Compositional Strategies and Expressive Features (on the example of Western art installations of the 1990s)Bogdanov V. P. The Dacha in Russian Culture and the Culture of Dachas (XIX – early XXth centuries)Hou Shujie. Traditional Сhinese Art in Postage Stamps Design (music, chess, calligraphy and painting)Samsonova E. M., Kovalchuk A. M. Commercial Art in Tobacco Advertising in China in the first half of the XXth century Krasnikova T. N., Magnitskaya E. А. Andrey Golovin’s Fourth Symfony in terms of Genre Interpretation Baeva A. A. P. I. Tchaikovsky’s Opera The Queen of Spades: Stage Experiences Smirnova M. V., Guo Hongzhi. Nikolai Okhotnikov as an Interpreter of Russian Folk Songs and Old Romances Podyachev A. B. Performers’ Interpretation in the context of Phonography Lukina G. U., Ningwan Tang. On Zhao Jiping’s Creative Path: Searches and Experiments Zhong Shengyi. The Romance Spring Reflections as a Vivid Example of Chamber Vocal Works by Composer Huang Tzu Vasilchenko E. Yu. Polystylistics as a Method of Creating Foreign Cultural Images in the Chamber Works of Tatyana Smirnova Zaytseva V. V. Sadko by N. A. Rimsky-Korsakov: Notes on the Orchestration Process Tsvetkova E. O. The Gusli in the Works of Contemporary Composers: Entering the Academic Tradition Sednin N. N. Di-Art — Direction in Art That Strengthens Mental Health. History, Theory and Practice. Manifesto Dolinskaya E. B., Sokolova L. P. From the Imperial Russian Musical Society to the Moscow Musical Society (in honour of its 165th anniversary)Merkulov A. M. A. B. Goldenweiser as a Student of P. A. Pabst Romashchuk I. M. A. N. Kholminov: Russian Soviet Composer, Lyricist, Thinker (on the 100th anniversary of his birth)

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