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Art Education and Science. 2026 Issues

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ISSN 2410-6348 (print)
ISSN 2658-5251 (online)

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Kolbysheva S. I. Scientific and Methodological System of Artistic and Aesthetic Development of Students in the Republic of Belarus (at the second stage of general secondary education)Khromov A. P. Competence-Based Modular Approach to Developing the Readiness of Creative University Teachers to Work with Innovations Romashchuk I. M. E. B. Dolinskaya’s Scientific Galaxy Zaitseva J. N. The Model of Mediatisation of Religion: Possibilities for Constructing Visual Representation (on the example of the Russian Orthodox Church)Fesenko D. E. Postmodernity and Postmodernism as Projections of the Capital Architecture in Russia at the turn of the XXth and XXIst centuries Shcheglova T. G. On the Processes Happening in Modern Mass Culture Rakhimov R. G. Street Music — Marginality or Progress? (to the problem statement)Sidneva T. B. Tamara Levaya and Boris Getselev: Non-Capital Musicians of the Capital Scale Sanko A. K. The Formation of National Schools of Composition in the Class of N. Ya. Myaskovsky Borodin B. B. From the Epistolary Heritage of Ferruccio Busoni: Letters to His Wife from 1897 Smirnova M. V., Huai Liangliang. The Genre of Piano in the Legacy of Ignaz Moscheles Gudozhnikova O. N. Sonatas for Cello and Piano in the Context of Avant-Garde Art Movements in the second half of the XXth century Saygushkina O. P. IN MEMORIAM. The Hommage Tradition in the Works of Rodion Shchedrin (1932–2025)Alekseeva I. V. Margarita Zelenaya’s Suite Homage for Coloratura Soprano and Cello: Musical Poetics Gao Ge. Music as a Space of Intercultural Dialogue: the Philosophy of Sound in the Works of John Cage and Tan Dun Urvantseva O. A. Intertextual Borrowings and Their Impact on the Genre Nature of a Musical Work Kudashova V. A. Notation in Contemporary Violin Music Kostina A. V. The Objectivity of Scientific Knowledge and Ideological Discourse in Science (on the semantic content of the concept of “folklore”)Gerasimovа N. V., Ulemnova O. L., Shklyaeva L. M. Digitisation of the Cultural Heritage of the Tatar People (projects of the G. Ibragimov Institute of Language, Literature and Art of the Republic of Tatarstan and their role in the educational process)Rakhimov R. G. Multivoice in Bashkir Instrumental Music Sun Ernyan, Perevyshina N. Yu. The Art of Guzheng Playing in China: Retrospective Analysis Pakhomova E. A., Kazakov E. O., Tolmacheva O. S. Institutional Participation of Cultural Organisations in the Abylimpics Movement in 2023–2025 (mechanism for professional integration of persons with disabilities and HIA into the sociocultural sphere)Garipova N. F. Piano Works of Nariman Sabitov (to celebrate the 100th anniversary of the founder of the Bashkir school of composition)Sharma E. Yu., Kukhtina N. I. Unknown Lydia Vyrlan: the Art of Overcoming (on the 125th anniversary of her birth)

Zhang Rong. On Estelle Jorgensen’s Philosophical Views on Music Education Ananchenkova P. I. Corporate Training in the Creative Industries. Challenges and Strategies for the Professional Longevity of Older Age Groups Sednin N. N. The Concept of Color Positivity in Visual Art Limitovskaya А. V. About the Communication Properties of Timbre in Chamber Vocal Music (on S. V. Rachmaninoff’s romance The Daisies)Goglacheva L. S., Alekseeva I. V. Compositional Organization of Duets for Violin and Cello in the XVIIIth – XIXth centuries Medvedeva E. V. The Hellerau Institute as a Laboratory for Theatrical Reform. Adolphe Appia and Émile Jacques-Dalcroze Timofeeva M. V. The Activities of Impresario Sol Hurok as a Phenomenon of Transnational Cultural Interaction in the mid-XXth century Ivanov A. I. A Journey Through the History of the Instrumental Concert for Trombone (G. Wagenseil, V. Blazhevich, V. Kruglik)Smirnova R. N. Symphony for an Orchestra of Russian Folk Instruments: History of Development and Genre Adaptation Vorobeva L. V. On the Implementation of the Genre Canon in The Wolves by A. G. Rubinstein and A. S. Arensky Shelukho E. V. A Cheerful Conversation by Sviridov and Gavrilin: a Dialogue on a “Sloboda Theme”Govorov N. A. In Dialogue with the Composer: Interview with Efrem Podgaits Zhong Shengyi, Tsvetkova E. O. The Life and Work of Huang Zi: the Emergence of the Chinese School of Composition in the Context of Cultural Dialogue Anchukov S. V. Features of Interaction Between Artists and Art Galleries in Modern China Wu Xingting, Uvarov V. D. Traditions of Religious Chinese Painting Li Meng. Chinese Wallpaper of the XVIIth – XXth centuries as a Historical Artifact Ursegova N. A. The Birth of Russian Folklore Studies in Siberia: 1826–1878 (to the history of a regional scientific tradition)Agababyan D. G., Syroezhkin I. V. Overcoming Psychological Barriers among Bayan Players with Visual Impairments Smirnova M. V. Josef Hofmann and Modern Times (on the 150th anniversary of the pianist’s birth)Kostina T. V. Confession of the Soul: the Last Opus of Fyodor Druzhinin

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